Lloyd Erlick wrote: > jan3005 from Lloyd Erlick, (snipped heavily) > My point is that the > ability to examine one's own work over a long period is very interesting, > and essential to one's development as a photographer... > > The reason I say this is that themes become apparent in retrospect. Themes > I never knew existed in my work have become apparent over time.... > I would never have been able to dream these themes up in advance, and they > only came to my mind after going over my old work many times.... I'd say a > photographer should expose lots of frames, use up lots of film all the > time, file it carefully, and look at it over the years. (end of snipping) And also let someone else look at it. I belonged to a group that was learning to do critiques, using our own work and an expert's book as a guide. I presented a half dozen varied images, and the book's standard first question was what did they have in common, based I guess on the fixation on themes. Someone pointed out they were all dead. Sure enough, dead trees, a skull, an ancient car hulk, etc. I had no idea there was a theme to this random collection. Next observation was that all compositions leaned to the left. It helps to get someone else's viewpoint now and then. Regards... Dick Gifford ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.