In my case, a reading of 80 corresponds to a a zone VII to VIII highlight on Ilford MG IV at 10 seconds exposure. Shadows (zone II 1/2 equivalent) vary from 20 to 50 depending on filtration, but highlights stay constant. That saves me a LOT of test strips! Ole Tjugen <snip> > The dial setting is only a starting point for calibrating > the meter by making test prints. From the minimal literature > supplied with the meter is is set to give nominal 30 second > exposures for Ciba/Ilfochrome from some sort of standard > negative. Presumably the dials are set at the factory using > a standardized light source. In actual use the dial is > calibrated by the user for a convenient exposure time for > the range of stops where the enlarging lens performs well. > In order to be able to use the meter for different times or > different ranges of light level, such as making very large > prints, it is necessary to re-calibrate the dial by making > test prints. > I've found it useful to measure the dial numbers > corresponding to one stop changes in light level. I record > these on a sheet kept in the box and on a bit of tape on the > back of the meter. One can also mark the dial with a marking > pen. If you do your own calibration the reference value can > be ignored. > Ilford recommends that the meter be used in a fairly > bright area of the projected image. For a negative it should > measure a shadow area that is to have detail, for a > transparency a highlight area that is to have detail. While > the meter is sensitive enough to give readings in denser > parts of the image it is not really intended to be used as a > densitometer. For the range of densities found in normal B&W > negatives the highlight density is likely to be difficult to > read. The advantage of making measurements on the enlarger > baseboard is that any Callier effect is automatically > compensated for. Callier effect is the variation in apparent > density with type of illumination due to scattering by the > silver particals in the emulsion. It is greatest for coarse > grain and thick emulsions, least for fine grain, and nearly > non-existent for the dye images of color film. The practical > effect is to increase apparent contrast when silver > negatives are printed using a partially specular source, > such as a condenser enlarger, compared to a diffusion > source. Most densitometers measure diffusion density. In > average B&W film the difference is around one paper grade so > it is significant. > No simple meter will exactly predict the required > exposure and contrast grade needed by a negative. I suspect > that a scanner could be used with appropriate sofware to > completely chacterize film originals, both negative and > positive, for both of these plus filtering required for > color. > In any case, I find the EM-10 very useful. It does not > eliminate tests and having to make visual judgements but > does reduce the amount of exposure testing considerably. > > --- > Richard Knoppow > Los Angeles, CA, USA > dickburk@xxxxxxxxxxxxx > > -- Using Opera's revolutionary e-mail client: http://www.opera.com/m2/ ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.