----- Original Message ----- From: "DarkroomMagic" <info@xxxxxxxxxxxxxxxx> To: "PureSilverNew" <pure-silver@xxxxxxxxxxxxx> Sent: Friday, January 07, 2005 8:48 AM Subject: [pure-silver] Re: Ralph Lambrecht / EM10 enlarging meter? >I still would like to understand what these numbers mean. > > > > > > Regards > > > > Ralph W. Lambrecht > > The dial setting is only a starting point for calibrating the meter by making test prints. From the minimal literature supplied with the meter is is set to give nominal 30 second exposures for Ciba/Ilfochrome from some sort of standard negative. Presumably the dials are set at the factory using a standardized light source. In actual use the dial is calibrated by the user for a convenient exposure time for the range of stops where the enlarging lens performs well. In order to be able to use the meter for different times or different ranges of light level, such as making very large prints, it is necessary to re-calibrate the dial by making test prints. I've found it useful to measure the dial numbers corresponding to one stop changes in light level. I record these on a sheet kept in the box and on a bit of tape on the back of the meter. One can also mark the dial with a marking pen. If you do your own calibration the reference value can be ignored. Ilford recommends that the meter be used in a fairly bright area of the projected image. For a negative it should measure a shadow area that is to have detail, for a transparency a highlight area that is to have detail. While the meter is sensitive enough to give readings in denser parts of the image it is not really intended to be used as a densitometer. For the range of densities found in normal B&W negatives the highlight density is likely to be difficult to read. The advantage of making measurements on the enlarger baseboard is that any Callier effect is automatically compensated for. Callier effect is the variation in apparent density with type of illumination due to scattering by the silver particals in the emulsion. It is greatest for coarse grain and thick emulsions, least for fine grain, and nearly non-existent for the dye images of color film. The practical effect is to increase apparent contrast when silver negatives are printed using a partially specular source, such as a condenser enlarger, compared to a diffusion source. Most densitometers measure diffusion density. In average B&W film the difference is around one paper grade so it is significant. No simple meter will exactly predict the required exposure and contrast grade needed by a negative. I suspect that a scanner could be used with appropriate sofware to completely chacterize film originals, both negative and positive, for both of these plus filtering required for color. In any case, I find the EM-10 very useful. It does not eliminate tests and having to make visual judgements but does reduce the amount of exposure testing considerably. --- Richard Knoppow Los Angeles, CA, USA dickburk@xxxxxxxxxxxxx ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.