For the art market only photographs made by
traditional means are valuable, only traditional
photographs are considered art, no digital images,
please give me a sample about a digital image sold
like a masterpiece, I can quote a lot of samples about
traditional photography and not old photographs,
photographs made today.
Your comparison about the situation for painters and
photography is not valid, photography regarding
painting was a change in depth about the way to
represent the image, changed the means and the final
product too, that difference does not exist between
chemical photography and the digital image. The art
for the traditional photography is in the image as the
photographer work results, the digital image is the
software use results except for the composition work
and this is is the reason it is not valuable for the
fine arts market.
Daguerrotypes are traditional photography using older
processes, it is as fine art as moderner traditional
photography, guessing the image has conditions to be
conisdered art of course.-
All the best
Carlos
--- Frank Dernie <Frank.Dernie@xxxxxxxxxxxxxx>
escribió:
Grain is indeed a feature of film, and can either
add character or
ruin a photograph, depending on intentions.
"Traditional" photography is in no way more fine art
than digital
photography. Daguerrotypes are not more fine art
than silver/gelatin
either. The art is in the result, not the medium. A
great picture is
great, regardless of the medium and a grotty little
picture from a
mobile phone or digicam is as uninteresting as
similar dross from an
instamatic (or Rolleiflex if the photograph is
poor).
This risks getting like the old "photography is not
art because it
isn't difficult enough" argument we used to get from
painters.
Frank
On 23 Jul, 2007, at 11:55, Carlos Manuel Freaza
wrote:
Grain is superb for the image texture if the grain
is
not exaggerated and according the image
composition,
it contributes for the image character.
Traditional photography is fine arts.
All the best
Carlos
--- Frank Dernie <Frank.Dernie@xxxxxxxxxxxxxx>
escribió:
They are very much different but, IMHO, not as
different as, for
example oils versus acrylic paint, and certainly
either of these
compared to watercolour.
At the end of whatever process one has chosen,
film
- develop -
enlarge - develop print. Digital to print,
digital
to print via some
sort of manipulation software or a scanned film
hybrid to digital
print a photographic print is the result.
Some people refer to prints from digital as
"plastic" I assume they
refer to the lack of grain (???) in fact for me
it
has taken
"photographic realism" to a higher plane.
I processed my own film all my photographic life.
I
have had a
darkroom in my house most of the last 45 years. I
still take
photographs on film for fun - but for me the
whole
enlarge and
develop process - which is a technical skill I
felt
I was still
improving even after so long - particularly
"mastering" the tiny
dynamic range and extreme contrast of Cibachrome
-
was hard work and
very time consuming.
(Incidentally anybody thinking digital has a
restricted dynamic range
should try enlarging a Kodachrome slide onto
Ciba).
I now print entirely from the computer and if I
am
interrupted it is
no longer an inconvenience/catastrophe.
If your main objective is to consistently produce
good prints my
experience tells me digital is the best way.
The downside is cost. My Canon EOS 1Ds mk2 was
very
much more
expensive than my Rolleiflex so you need to have
been a real film
eater for digital to be a choice based on economy
rather than results.
Frank
On 23 Jul, 2007, at 02:57, ERoustom wrote:
My first two days in my darkroom have me
gleefully
puzzled. There
is so much to learn, and it will be a while
before
I'm comfortably
making the all those connections from behind the
lens to in front
of the fix bath. It makes scanning negatives
seem
easy and fast.
Peter's simile is so apt. Gaining skill,
intellectual, physical and
technical, and truly learning to be patient is
what film
photography (that goes the full cycle from click
to print) is all
about. It's a medium, and a discipline.
My thinking about how I use my camera(s) what
films I choose,
has changed completely since the darkroom (and
my
underdeveloped
film) humbled me this weekend. Maybe film and
digital shouldn't be
compared. It's clear to me now that they do
different things, and
demand different approaches.
Elias
On Jul 21, 2007, at 3:06 PM, J Patric Dahlén
wrote:
Peter Nebergall wrote:
Comparing film to digital is like comparing
the
NY Philharmonic
to a state
of the art rock synthesizer. One is cheaper,
faster, and more
convenient;
the other is high art.
Very well said, Peter!
I own a digital compact camera, but I don't
like
to use it to take
photos of my loved ones... Instead I use it for
fast documentation
and when I need photos of something to show on
the internet/send
with email...
There are more feelings involved when I use my
cameras for film,
and work in the darkroom. Then I feel creative.
I
can always
digitalize film/prints when I want or need to.
Digital has it's
place, of course, even for me.
/Patric
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