Breukel, C. (HKG) wrote: > Hi, > > I have been using a Fujica GS645 Professional (75mm) MF (6*4.5) folder > camera (loaded with HP5+)for a long time now, and I cannot seem to work > with it consistently. On the plus side it's a neat compact travel > camera, I like the concept, but on the down side I find the knob for the > lightmeter small (always looking for it with my finger) en perhaps my > biggest problem is that I produce too may unsharp pictures. I do have a > few fine, sharp prints, but too many unsharp ones. I always try to use > the fastes shutter speed, and I guess that focusing with the range > finder is my main problem, I have difficulties with it, and am slow on > the focussing. > > That said I realy want a MF camera for (semi) lightweight traveling and > easy taking along. I do use 35mm (Olympus OM2/Tmax400), but on the whole > I find the quality in my hands barely enough for 8*10 prints (one does > get spoiled whem shooting 4*5 and 8*10). > > One point the late Barry Thornton made was that he did not find stepping > up from 35mm to 6*4.5 was such quality improvement. I don't know about > that, but my modest 6*6 studio work (Zenza Bronica) work is far superior > sharpness/smootheness wise to my 6*4.5 work. > > So I guess I would like to change my MF equipment. 2 systems come to > mind: The Fuji GA645zi, a autofocus (has its quirks, but once you know > them it's ok, it seems) automatic 6*4.5 camera with a modest zoom > (55-90) > > Or an older Mamiya 6, Mamiya 7 (II), a range finder (works better than > the GS645 for me?), bigger camera, more lens options, bigger negs (less > exposures per roll ofcourse). > Hi, Don't rule out the Bronica rf 645. Very nice litlle camera capable of stuning slides. Best regards, Michiel Fokkema ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.