[pure-silver] Re: The Quest and My Heresy??

  • From: "Tim Rudman" <tim@xxxxxxxxxxxxxxx>
  • To: <pure-silver@xxxxxxxxxxxxx>
  • Date: Fri, 15 Dec 2006 20:58:06 -0000

 
Yes, I know what the image is Dana, and how it gets onto the print is
critical to how it communicates with the viewer - and therefore how
'interesting' it is (to that viewer), or perhaps 'engaging' might be a
better term for what I mean.

Tim

-----Original Message-----
From: pure-silver-bounce@xxxxxxxxxxxxx
[mailto:pure-silver-bounce@xxxxxxxxxxxxx] On Behalf Of Dana H. Myers
Sent: 15 December 2006 19:26
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: The Quest and My Heresy??

Tim Rudman wrote:
> Thank you Claudio ;-)
> I was just reading this thread and debating whether to jump in and 
> disagree, but you did it for me.
> 
> I entirely agree that often the process really makes the image. I 
> usually consider the straight print as simply a starting point for the 
> artwork I plan to make and I usually 'see' it in more or les finished 
> form when I take it, knowing that printed another way it would hold 
> little interest. This works for me (I hope) because I do see it in a
particular way at the taking.
> It would not necessarily work I think if a poor image was subsequently 
> altered to try and make a silk purse out of the proverbial sow's ear. 
> Post processing techniques can have a powerful effect on colour, tonal 
> relationships, bringing certain tones into dominance or the reverse 
> and these issues are important in the way an image speaks to the viewer.

Agreed - and none of this contradicts my original point.  When I speak of
"interesting images", I mean, the thing on the print that people look at.

How the image got onto the print doesn't change a thing - it's either
interesting or it isn't.

Cheers -
Dana
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