Tim Rudman wrote: > Thank you Claudio ;-) > I was just reading this thread and debating whether to jump in and disagree, > but you did it for me. > > I entirely agree that often the process really makes the image. I usually > consider the straight print as simply a starting point for the artwork I > plan to make and I usually 'see' it in more or les finished form when I take > it, knowing that printed another way it would hold little interest. This > works for me (I hope) because I do see it in a particular way at the taking. > It would not necessarily work I think if a poor image was subsequently > altered to try and make a silk purse out of the proverbial sow's ear. Post > processing techniques can have a powerful effect on colour, tonal > relationships, bringing certain tones into dominance or the reverse and > these issues are important in the way an image speaks to the viewer. Agreed - and none of this contradicts my original point. When I speak of "interesting images", I mean, the thing on the print that people look at. How the image got onto the print doesn't change a thing - it's either interesting or it isn't. Cheers - Dana ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.