The loadshedding is affecting Khans performance. He needs to be plugged in to recharge. On 11 February 2015 at 18:14, Ryan Williams <ryan820509@xxxxxxxxx> wrote: > No prob bro, hope you feel better :) > On 11 Feb 2015 17:25, "euraima tobias" <euraima@xxxxxxxxx> wrote: > >> Sorry guys, was a bit under the weather so I've been sleeping all day. >> Probably too late now, if guys are keen for tomorrow then we can else next >> week wed for sure. >> On 11 Feb 2015 2:54 PM, "Ryan Williams" <ryan820509@xxxxxxxxx> wrote: >> >>> @Khany, is there a sesh tonight? >>> On 11 Feb 2015 13:18, "Ilitirit Sama" <ilitirit@xxxxxxxxx> wrote: >>> >>>> I read the first episode of James Joyce's Ulysses before my own stream >>>> of consciousness took over and carried me off to a video game. >>>> >>>> On Wed, Feb 11, 2015 at 1:10 PM, Donaldson, Alasdair < >>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>> >>>>> Hmmm. I tend to prefer stream of consciousness to be limited to >>>>> books. >>>>> >>>>> >>>>> >>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>> *Sent:* 11 February 2015 12:47 PM >>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>> *Subject:* Re: DRE: CTS community mail >>>>> >>>>> >>>>> >>>>> Well, it's more the surrealism combined with the themes. >>>>> >>>>> He is probably best known for "Zerkalo" AKA "The Mirror". Here's a >>>>> description from Wikipedia: >>>>> >>>>> *Mirror* unfolds as an organic flow of memories recalled by a dying >>>>> poet (based on Tarkovsky's own father Arseny who in reality would outlive >>>>> his filmmaker son by three years) of key moments in his life both with >>>>> respect to his immediate family as well as that of the Russian people as a >>>>> whole during the tumultuous events of the twentieth century. The film >>>>> combines contemporary scenes with childhood memories, dreams, and newsreel >>>>> footage. The cinematography slips unpredictably from color to >>>>> black-and-white to Sepia <http://en.wikipedia.org/wiki/Sepia_tone> >>>>> then back again to color. The loose flow of visually oneiric images >>>>> <http://en.wikipedia.org/wiki/Oneiric_%28film_theory%29> has been >>>>> compared to stream of consciousness >>>>> <http://en.wikipedia.org/wiki/Stream_of_consciousness_writing> >>>>> technique in literature. The unconventional non-linear structure of the >>>>> film combined with its rich - often symbolic - imagery lends the film an >>>>> unusual power of expression that has found favour with Russians for whom >>>>> it >>>>> remains their most beloved of Tarkovsky's films.[3] >>>>> <http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29#cite_note-3> >>>>> >>>>> http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29 >>>>> >>>>> He also did Solyaris (based on the same story as the George Clooney >>>>> movie), and Stalker (based on the story from the FPS game). >>>>> >>>>> >>>>> >>>>> Yep, that was TV4. >>>>> >>>>> [image: Image removed by sender. >>>>> http://www.vetseun.co.za/anarkans/logo/tv4.jpg] >>>>> >>>>> >>>>> >>>>> On Wed, Feb 11, 2015 at 12:35 PM, Donaldson, Alasdair < >>>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>>> >>>>> Difficult themes? If it’s like the Russian novels, it’s a hit and >>>>> miss situation even with their good stuff. I might check out some of the >>>>> Tarkovski stuff once I have net access back. >>>>> >>>>> >>>>> >>>>> Yeah, I remember TV4. Was that the one with the star in the 4? Then >>>>> TSS? CCV? >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>> *Sent:* 11 February 2015 11:47 AM >>>>> >>>>> >>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>> *Subject:* Re: DRE: CTS community mail >>>>> >>>>> >>>>> >>>>> Enter the Void is meh... Could have been a 100 times better if they >>>>> didn't spend ages trying to get the viewer to understand the themes. Good >>>>> if you're on LSD I guess. >>>>> >>>>> Tarkovksy's movies are challenging, mostly because they are in >>>>> Russian, are often very surreal, and deal with difficult themes. Not easy >>>>> viewing. >>>>> >>>>> The Massive Attack video is Unfinished Sympathy. The one where they >>>>> follow the singer (Shara Nelson) around the city. They used to play that >>>>> and Safe From Harm on Zero Hour Zone on TV4 (who remembers that?). I >>>>> thought you were talking about a movie called Massive Attack hehe. >>>>> >>>>> I liked Gravity. >>>>> >>>>> >>>>> >>>>> On Wed, Feb 11, 2015 at 11:34 AM, Donaldson, Alasdair < >>>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>>> >>>>> I’ve got Enter the Void lying around, but haven’t got around to >>>>> watching it. Same with Under the Skin. No idea who Tarkovksy is. Just >>>>> checked IMDB. Nope. Are his films worth watching? I mean from a >>>>> non-technical perspective. >>>>> >>>>> >>>>> >>>>> First time I saw the Massive Attack video, I didn’t realise that it >>>>> was all one shot. I just assumed they’d cut it. I forget what the song was >>>>> called, but it was more than 5min long. >>>>> >>>>> Snake Eyes was an okay film. It wasn’t bad or good… actually can’t >>>>> remember much about the film. >>>>> >>>>> >>>>> >>>>> I don’t know if I can be arsed to watch Gravity. Maybe I’ll put it on >>>>> sometime while I’m reading. The only thing that I’ve heard about Gravity >>>>> is >>>>> that it is a very pretty film. No one seems to care about the story or >>>>> script. That seems like a bit of a fail to me. >>>>> >>>>> >>>>> >>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>> *Sent:* 11 February 2015 11:15 AM >>>>> >>>>> >>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>> *Subject:* Re: DRE: CTS community mail >>>>> >>>>> >>>>> >>>>> I haven't seen either, but last year there was Gravity which had a 17 >>>>> minute opening shot. Under the Skin had shots the seem to be influenced >>>>> by >>>>> filmmakers like Tarkovksy. The Protector has a 4 minute long shot (the >>>>> stair case fight scene). Enter the Void is composed of long shots (about >>>>> 1 >>>>> to 2 minutes in length), joined together by psychedelic visuals. >>>>> >>>>> In The Sacrifice, Tarkovsky's crew built a special house meant to be >>>>> burned down in a 6 minute long shot. Toward the end of the shot the >>>>> camera >>>>> jammed and the film was ruined. It took them two weeks to refilm it. >>>>> >>>>> https://www.youtube.com/watch?v=Mr5cYiRPf3E >>>>> >>>>> >>>>> >>>>> On Wed, Feb 11, 2015 at 10:55 AM, Donaldson, Alasdair < >>>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>>> >>>>> It opened at Cinema Nouveau up here. >>>>> >>>>> Long scenes are cool. Barring Massive Attack, nothing comes to mind >>>>> though. Oh, wasn’t the first 10min of Snake Eyes a single shot? >>>>> >>>>> >>>>> >>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>> *Sent:* 11 February 2015 10:46 AM >>>>> >>>>> >>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>> *Subject:* Re: DRE: CTS community mail >>>>> >>>>> >>>>> >>>>> Low budget? Yes. And it only opened in 4 cinemas, raking in less >>>>> than $500k. But it's probably best considered Arthouse, not B movie. >>>>> >>>>> You can't not notice the camera work in Birdman. The entire movie, >>>>> barring 1 or 2 scenes in the beginning is shot in one long continuous >>>>> sequence. It's obviously an illusion but it's still great to watch. >>>>> There >>>>> are scenes where they film in front of a mirror and you can't see the >>>>> camera. There's a seen where the camera follows Michael Keaton through a >>>>> busy square in NYC. And a great scene where the camera glides from the >>>>> theatre rafters to the stage below. >>>>> >>>>> >>>>> >>>>> On Wed, Feb 11, 2015 at 7:32 AM, lindsey kiviets < >>>>> lindseyak@xxxxxxxxxxx> wrote: >>>>> >>>>> for best gimmick in a film >>>>> >>>>> soim guessing if birdman was shot in 30 days , that would make it a >>>>> low budget B movie? >>>>> >>>>> ------------------------------ >>>>> >>>>> From: alasdair.donaldson@xxxxxxxxxx >>>>> To: cpt-fgc@xxxxxxxxxxxxx >>>>> Subject: RE: DRE: CTS community mail >>>>> Date: Wed, 11 Feb 2015 05:29:06 +0000 >>>>> >>>>> >>>>> >>>>> Then I suppose they’d be guaranteed the Oscar. >>>>> >>>>> >>>>> >>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *lindsey kiviets >>>>> *Sent:* 11 February 2015 7:24 AM >>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>> *Subject:* RE: DRE: CTS community mail >>>>> >>>>> >>>>> >>>>> boyhood - what if the kid died during that 12 years? >>>>> >>>>> "rock is overpowered, paper is fine" - scissors >>>>> >>>>> ------------------------------ >>>>> >>>>> From: alasdair.donaldson@xxxxxxxxxx >>>>> To: cpt-fgc@xxxxxxxxxxxxx >>>>> Subject: RE: DRE: CTS community mail >>>>> Date: Wed, 11 Feb 2015 05:09:25 +0000 >>>>> >>>>> I tend to figure that the camera work is only something you notice if >>>>> it’s done badly. I can’t recall when last I noticed good camera work in a >>>>> film. >>>>> >>>>> Same with most of the things, I guess. It’s only when the music is >>>>> jarring and detracts from the scene that I actually notice it. >>>>> >>>>> >>>>> >>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [ >>>>> mailto:cpt-fgc-bounce@xxxxxxxxxxxxx <cpt-fgc-bounce@xxxxxxxxxxxxx>] *On >>>>> Behalf Of *Ilitirit Sama >>>>> *Sent:* 11 February 2015 12:50 AM >>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>> *Subject:* Re: DRE: CTS community mail >>>>> >>>>> >>>>> >>>>> Sheesh... apparently the movie was shot in only 30 days. >>>>> >>>>> >>>>> >>>>> On Wed, Feb 11, 2015 at 12:48 AM, Ilitirit Sama <ilitirit@xxxxxxxxx> >>>>> wrote: >>>>> >>>>> Birdman's camera work is amazing. I haven't been that technically >>>>> impressed by a movie in a long itme. All the while I kept thinking "I >>>>> can't imagine how hard it must have been to film this". 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