> In color managed workflow the RAW conversion should be done all the same way > as while > shooting the target. I.e. without "balancing". Every camera's sensor has different sensitivities to different waves of light, determined in large part by the color filters over the pixels that allow the sensor to respond differently to different colors of light, sensors being color blind in general. So to get for example D65 white balance, the channel multipliers are different depending on the camera, the sensor, the color filters, and no doubt in-camera processing while creating the raw file. Amost always the channel multiplier for red and blue is much higher than the multiplier for green for daylight WB, unless the camera itself is massaging the signals before saving the raw file (there is one camera in the UFRaw database that uses "1 1 1 1" as the daylight multipliers). I've created camera input profiles using "uniwb" for the target shot. They are a PIA to use on actual images, require that the image shot also be "uniwb" rather than color balanced. Then good luck trying to modify the color balance afterwards. I suppose for a studio situation it would be useable. Kind regards, Elle -- http://ninedegreesbelow.com - articles on open source digital photography