Hello Ben and all, I've been considering making custom patches to supplement the Digital SG chart in areas where colors are underrepresented, for instance, near neutrals in dark and middle values, and warm tones in the L 70-90 range where many art papers fall. If I 'flood the zone' with colors in the areas of special interest that the resulting profile will give more accurate results in those regions? Thank you, Alex Jamison On Jul 7, 2013, at 10:21 AM, Ben Goren wrote: > > Maciej, it's also worth considering making your own chart. Assuming you've > got a spectrophotometer, all you need is a bunch of artist's paints and a > printer. Get as many different paints as you can. Golden Fluid Acrylics is a > good choice if you're buying, or just spend some time in a painter's studio. > Plan it all out ahead of time. You'll want at least the base paint by itself > and another patch (or more) mixed with white. Other mixtures aren't a bad > idea. Figure out how many patches total you'll have, how many painted > patches, and generate the difference with Argyll. Lay it all out in Photoshop > (or whatever), print it on whatever paper you've got that has no optical > brighteners and the largest possible gamut (and glossy is fine, since you > need to light it in a way that doesn't throw specular reflections even if > it's a matte target), and paint squares by numbers. Measure with the > spectrophotometer and you're done. > > You could spend as much on paint as you would on a ColorChecker Passport and > have a chart that far surpasses any you can buy commercially -- and have > enough paint left over to make many dozens more. > > Cheers, > > b&