Technically, how long is a short stitch? Dorothy Compton Bee Embroidered _www.BeeEmbroidered.com_ (http://www.beeembroidered.com/) (916) 635-7467 Rancho Cordova, CA > Reply-To: amayausers@xxxxxxxxxxxxx > Date: Mon, 18 Jul 2005 15:17:32 -0600 > To: <amayausers@xxxxxxxxxxxxx> > Subject: [amayausers] Re: thead breaks > > Roland, > The reference to "no" underlay on small lettering, I think, was in > reference to a particular font, that being, "micro block". This font > as with many "digitized fonts" already have some underlay built into > them and by adding more can cause problems with the lettering by > building up to much thread. > > It is my understanding that most Dak type fonts have neither underlay > nor tie-ins or tie-offs in them and this of course goes for "true > type" fonts as well. > > As to short stitches and auto stitches, a good way to see what is > happening is to create a small letter in caps such as "L" or "E". > Expand this up so you can see the individual stitches and then goe > back and forth with the short stitches on and off. Look at the corners > and you will see the addition of the short stictch function at work. > Having the short stitch function "on" with very small letters will > actually build up thread in the corners and may contribute to thread > breaks. > > Auto stitches on the other hand is more suited to the "script" type > fonts such as Diane Script, Cotillion etc., these are the fonts with > the varying thicknesses from fat to narrow to ultra thin....but could > also be aplied to some of the serrif type fonts as well with the wide > and narrow columns. > > Rod Springer > > Embroidery Cottage > Rod & Sharon Springer > Melco Trained Amaya Tech & Trainer > Design Shop Pro+ Digitizing > > Boise, ID 83713 > 208-938-3038 > ----- Original Message ----- > From: "Roland R. Irish III" <signman@xxxxxxxxxxxxxxxxxxx> > To: <amayausers@xxxxxxxxxxxxx> > Sent: Monday, July 18, 2005 2:09 PM > Subject: [amayausers] Re: thead breaks > >> Hi Debra-another struggling beginner here... we do a lot of pique knits because we screen print on them also-customers like the 'heavier' look to the shirt. And yes, we get the same problem-sewouts on one material don't work a darn on another! We have managed to get by this way: solvy, YES...it's a textured material-solvy helps backing-two layers of the heaviest tear away, and sometimes if it is a logo with design and lettering around that, I"ve had to use a thicker cutaway-on a thinner pique that seems to work. One way we figured out what to do is to compare backings on shirts and sweats my wife collects out in Arizona-every trip she comes back with another one her mother buys here-so we check to see how THOSE were done! Thread breaks-still learning on this but getting better... density 4 or higher, double check needle 'twist' (a debate last couple weeks on how many 'degrees' of 'turn' to the needle-instead of 'straight' out) presser foot-maximum down short stitch on or off? Still figuring out that one-sometimes it helps, sometimes it doesn't. Same with auto density....got to be a 'standard' in there somewhere I haven't figured out. Underlayment-center line...we learned at training to ALWAYS have centerline on, but an answer to a question I put up this morning for some real small lettering said NO underlayment...but depends on material-worth doing a test either way! >> What we HAVE learned-is with rare exceptions-what sews out good on a sweatshirt, won't work on a jacket, won't work on a pique, won't work on a hat. Each material has it's own quirks-so I end up with a separate 'design' for each one with the changes so I don't forget them! Hope this helps....should be someone in here shortly with more technical help. I've started printing out questions and answers from here that I need and putting them in a notebook for quick reference. That way I can make notes right on the page as I test it out! >> Roland