[eyedrumartcomm] Re: show theme we discussed
- From: maxwell sebastian <maxwellsebastian@xxxxxxxxx>
- To: eyedrumartcomm@xxxxxxxxxxxxx
- Date: Wed, 16 Jul 2014 11:10:16 -0400
It's there someway to electronically transmit high fives?
On Jul 16, 2014 11:06 AM, "Andy Imm" <andyimm@xxxxxxxxx> wrote:
> I'll let Stan know. Is there some blanket wording we want to send out to
> get others too?
>
>
> On Wed, Jul 16, 2014 at 10:54 AM, emma ball <emmagineering@xxxxxxxxx>
> wrote:
>
>> so that's a few worth a shot we need to contact them post haste. is there
>> formal copy? is this something we can develop on the quick? all parties
>> involved need to be aware of risks and
>>
>> timeline and dates need to be established too.
>>
>> m
>>
>> emma b
>> —————–
>> emmagineering@xxxxxxxxx
>> —————
>> 404.576.3625
>> —————
>> po box 93292
>> atlanta ga 30377
>> —————
>> http://vectornectar.com
>>
>> The information in this e-mail is confidential and may be legally
>> privileged. It is intended solely for the addressee. Access to this e-mail
>> message, and documents or images attached to the e-mail, by anyone else
>> other than the intended recipient is unauthorized. If you have received
>> this email in error, please delete it.
>>
>>
>> On 16 July 2014 10:50, maxwell sebastian <maxwellsebastian@xxxxxxxxx>
>> wrote:
>>
>>> Can we get this guy?
>>>
>>>
>>> http://sploid.gizmodo.com/this-pile-of-trash-actually-hides-a-stunning-portrait-1597270614
>>> On Jul 16, 2014 10:48 AM, "Woody Cornwell" <cornwell.woody@xxxxxxxxx>
>>> wrote:
>>>
>>>> yes stan
>>>>
>>>>
>>>> On Wed, Jul 16, 2014 at 10:40 AM, maxwell sebastian <
>>>> maxwellsebastian@xxxxxxxxx> wrote:
>>>>
>>>>> Ill second Stan.
>>>>> On Jul 16, 2014 10:39 AM, "emma ball" <emmagineering@xxxxxxxxx> wrote:
>>>>>
>>>>>> karen tauches
>>>>>> neon workshop seafood restaurant
>>>>>>
>>>>>> m
>>>>>>
>>>>>> emma b
>>>>>> —————–
>>>>>> emmagineering@xxxxxxxxx
>>>>>> —————
>>>>>> 404.576.3625
>>>>>> —————
>>>>>> po box 93292
>>>>>> atlanta ga 30377
>>>>>> —————
>>>>>> http://vectornectar.com
>>>>>>
>>>>>> The information in this e-mail is confidential and may be legally
>>>>>> privileged. It is intended solely for the addressee. Access to this
>>>>>> e-mail
>>>>>> message, and documents or images attached to the e-mail, by anyone else
>>>>>> other than the intended recipient is unauthorized. If you have received
>>>>>> this email in error, please delete it.
>>>>>>
>>>>>>
>>>>>> On 16 July 2014 10:31, Woody Cornwell <cornwell.woody@xxxxxxxxx>
>>>>>> wrote:
>>>>>>
>>>>>>> yes
>>>>>>>
>>>>>>>
>>>>>>> On Tue, Jul 15, 2014 at 10:02 PM, Andy Imm <andyimm@xxxxxxxxx>
>>>>>>> wrote:
>>>>>>>
>>>>>>>> And this guy too ==> http://www.stanwoodard.com/
>>>>>>>>
>>>>>>>>
>>>>>>>> On Tue, Jul 15, 2014 at 9:57 PM, maxwell sebastian <
>>>>>>>> maxwellsebastian@xxxxxxxxx> wrote:
>>>>>>>>
>>>>>>>>> I mean shit, for $3fiddy I'll make some fucking art! ;)
>>>>>>>>> On Jul 15, 2014 4:55 PM, "Priscilla Smith" <
>>>>>>>>> priscillagaysmith@xxxxxxxxx> wrote:
>>>>>>>>>
>>>>>>>>>> At Sunday's meeting I mentioned Grady's desire to see an art show
>>>>>>>>>> that looked at the building as-is as a work of art. I talked to him
>>>>>>>>>> yesterday to try to get a better idea of what he had in mind. He
>>>>>>>>>> didn't
>>>>>>>>>> have anything very specific in mind, but he did say words that
>>>>>>>>>> suggested
>>>>>>>>>> one approach would be to commission 5 or 8 artists (Grady has
>>>>>>>>>> offered to
>>>>>>>>>> pay reasonable $350 or so, stipends) to come in and "do one thing"
>>>>>>>>>> to some
>>>>>>>>>> current aspect of the building, things like lighting or installing
>>>>>>>>>> one of
>>>>>>>>>> their works in that context.
>>>>>>>>>>
>>>>>>>>>> Here is an outline of a plan I'm suggesting. It's totally open
>>>>>>>>>> for discussion. I haven't presented it to him, yet, wanted to get
>>>>>>>>>> input.
>>>>>>>>>>
>>>>>>>>>> It has to be curated and mounted quickly, as we need to get ready
>>>>>>>>>> for September and October.
>>>>>>>>>>
>>>>>>>>>> Announce the project (maybe call it "Existing Conditions", a
>>>>>>>>>> reference to contractor-speak)
>>>>>>>>>>
>>>>>>>>>> Tell interested artists to make an appointment to walk through
>>>>>>>>>> the space. I'd make make myself available for a 24- or 36-hour
>>>>>>>>>> period.
>>>>>>>>>>
>>>>>>>>>> Get a one-page description of what they want to do, including
>>>>>>>>>> time-line. Emphasize using things as-is, creating a framework or
>>>>>>>>>> context or
>>>>>>>>>> way of looking at the thing the artist wants to highlight more than
>>>>>>>>>> making
>>>>>>>>>> major changes.
>>>>>>>>>>
>>>>>>>>>> Jury the work. Who sits on the jury?
>>>>>>>>>>
>>>>>>>>>> Give a 2 or 3-day time-frame to get the work done.
>>>>>>>>>>
>>>>>>>>>> One weekend, provide guided tours of the exhibition.
>>>>>>>>>>
>>>>>>>>>> We'd ask patrons to sign a waver. Safety would be very important,
>>>>>>>>>> tours would be by small group and guided.
>>>>>>>>>> -----------------------
>>>>>>>>>>
>>>>>>>>>> PLEASE COMMENT
>>>>>>>>>>
>>>>>>>>>> I think this could be really neat.
>>>>>>>>>>
>>>>>>>>>> We need an electrician.
>>>>>>>>>>
>>>>>>>>>> xo
>>>>>>>>>> p
>>>>>>>>>>
>>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> --
>>>>>>>>
>>>>>>>> *Andy Imm*
>>>>>>>>
>>>>>>>> *678**.667.**GLOW *
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> * -- 678.667.4569 <678.667.4569>*
>>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>
>>>>
>>
>
>
> --
>
> *Andy Imm*
>
> *678**.667.**GLOW *
>
>
>
> * -- 678.667.4569 <678.667.4569>*
>
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