Awesome! Lindsay turned me on to this place called Elsewhere; they had a table at the Contemporary Arts Center. Here is their living Natural Museum: http://www.goelsewhere.org/about/history/ Check out the video if you get a chance. Was thinking we could do something where artists are paid to somewhat clean up the space, just a bit, and use the existing items to do sculptural installations but yet preserve the rawness and atmosphere of the space. Exciting stuff happening! Yay! On Tue, Jul 15, 2014 at 5:12 PM, maxwell sebastian < maxwellsebastian@xxxxxxxxx> wrote: > Omfg this sounds great > On Jul 15, 2014 5:05 PM, "Priscilla Smith" <priscillagaysmith@xxxxxxxxx> > wrote: > >> no worries about just nodding for now. I've had a hard time thinking of >> much else, and wondered if this were an insane idea or one worth pursuing. >> >> For Y'all's info, spent some time today on the roof cleaning out the one >> utter over the alley. Maybe it'll help. >> >> >> On Tue, Jul 15, 2014 at 5:02 PM, emma ball <emmagineering@xxxxxxxxx> >> wrote: >> >>> nice work! this sounds awesome, pris. >>> >>> try to write more than a nodding head later >>> >>> m >>> >>> emma b >>> —————– >>> emmagineering@xxxxxxxxx >>> ————— >>> 404.576.3625 >>> ————— >>> po box 93292 >>> atlanta ga 30377 >>> ————— >>> http://vectornectar.com >>> >>> The information in this e-mail is confidential and may be legally >>> privileged. It is intended solely for the addressee. Access to this e-mail >>> message, and documents or images attached to the e-mail, by anyone else >>> other than the intended recipient is unauthorized. If you have received >>> this email in error, please delete it. >>> >>> >>> On 15 July 2014 16:55, Priscilla Smith <priscillagaysmith@xxxxxxxxx> >>> wrote: >>> >>>> At Sunday's meeting I mentioned Grady's desire to see an art show that >>>> looked at the building as-is as a work of art. I talked to him yesterday to >>>> try to get a better idea of what he had in mind. He didn't have anything >>>> very specific in mind, but he did say words that suggested one approach >>>> would be to commission 5 or 8 artists (Grady has offered to pay reasonable >>>> $350 or so, stipends) to come in and "do one thing" to some current aspect >>>> of the building, things like lighting or installing one of their works in >>>> that context. >>>> >>>> Here is an outline of a plan I'm suggesting. It's totally open for >>>> discussion. I haven't presented it to him, yet, wanted to get input. >>>> >>>> It has to be curated and mounted quickly, as we need to get ready for >>>> September and October. >>>> >>>> Announce the project (maybe call it "Existing Conditions", a reference >>>> to contractor-speak) >>>> >>>> Tell interested artists to make an appointment to walk through the >>>> space. I'd make make myself available for a 24- or 36-hour period. >>>> >>>> Get a one-page description of what they want to do, including >>>> time-line. Emphasize using things as-is, creating a framework or context or >>>> way of looking at the thing the artist wants to highlight more than making >>>> major changes. >>>> >>>> Jury the work. Who sits on the jury? >>>> >>>> Give a 2 or 3-day time-frame to get the work done. >>>> >>>> One weekend, provide guided tours of the exhibition. >>>> >>>> We'd ask patrons to sign a waver. Safety would be very important, tours >>>> would be by small group and guided. >>>> ----------------------- >>>> >>>> PLEASE COMMENT >>>> >>>> I think this could be really neat. >>>> >>>> We need an electrician. >>>> >>>> xo >>>> p >>>> >>> >>> >> -- *Andy Imm* *678**.667.**GLOW * * -- 678.667.4569*