[eyedrumartcomm] Re: show theme we discussed
- From: Andy Imm <andyimm@xxxxxxxxx>
- To: "eyedrumartcomm@xxxxxxxxxxxxx" <eyedrumartcomm@xxxxxxxxxxxxx>
- Date: Tue, 15 Jul 2014 18:07:52 -0400
meganmosholder.com
On Tue, Jul 15, 2014 at 6:03 PM, Andy Imm <andyimm@xxxxxxxxx> wrote:
> Or could get the FLUX artists. They are skipping 2014.
>
> http://yopablo.com/
> http://www.micahstansell.com/
>
>
> On Tue, Jul 15, 2014 at 5:50 PM, Andy Imm <andyimm@xxxxxxxxx> wrote:
>
>> Was William Massey busy? It seems perfect for him.
>> http://www.williammasseyart.com/
>>
>>
>>
>> On Tue, Jul 15, 2014 at 5:37 PM, Priscilla Smith <
>> priscillagaysmith@xxxxxxxxx> wrote:
>>
>>> I'm wanting to do a call, even if it's on a short timeline. I'm wary of
>>> showing the same old same old. Looking for fresh involvement.
>>>
>>>
>>> On Tue, Jul 15, 2014 at 5:33 PM, Lindsay Smith <
>>> lindsaymichellesmith@xxxxxxxxx> wrote:
>>>
>>>> great ideas all around! elsewhere has my <3
>>>>
>>>> maybe just approach some artists that haven't been stroked 2 much
>>>> lately? more sculptural and performance ones? guess that's not very
>>>> specific... you all know more people than i do
>>>>
>>>>
>>>> On Tue, Jul 15, 2014 at 5:25 PM, Andy Imm <andyimm@xxxxxxxxx> wrote:
>>>>
>>>>> Awesome!
>>>>> Lindsay turned me on to this place called Elsewhere; they had a table
>>>>> at the Contemporary Arts Center.
>>>>>
>>>>> Here is their living Natural Museum:
>>>>> http://www.goelsewhere.org/about/history/
>>>>> Check out the video if you get a chance.
>>>>>
>>>>> Was thinking we could do something where artists are paid to somewhat
>>>>> clean up the space, just a bit, and use the existing items to do
>>>>> sculptural
>>>>> installations but yet preserve the rawness and atmosphere of the space.
>>>>>
>>>>> Exciting stuff happening! Yay!
>>>>>
>>>>>
>>>>> On Tue, Jul 15, 2014 at 5:12 PM, maxwell sebastian <
>>>>> maxwellsebastian@xxxxxxxxx> wrote:
>>>>>
>>>>>> Omfg this sounds great
>>>>>> On Jul 15, 2014 5:05 PM, "Priscilla Smith" <
>>>>>> priscillagaysmith@xxxxxxxxx> wrote:
>>>>>>
>>>>>>> no worries about just nodding for now. I've had a hard time thinking
>>>>>>> of much else, and wondered if this were an insane idea or one worth
>>>>>>> pursuing.
>>>>>>>
>>>>>>> For Y'all's info, spent some time today on the roof cleaning out the
>>>>>>> one utter over the alley. Maybe it'll help.
>>>>>>>
>>>>>>>
>>>>>>> On Tue, Jul 15, 2014 at 5:02 PM, emma ball <emmagineering@xxxxxxxxx>
>>>>>>> wrote:
>>>>>>>
>>>>>>>> nice work! this sounds awesome, pris.
>>>>>>>>
>>>>>>>> try to write more than a nodding head later
>>>>>>>>
>>>>>>>> m
>>>>>>>>
>>>>>>>> emma b
>>>>>>>> —————–
>>>>>>>> emmagineering@xxxxxxxxx
>>>>>>>> —————
>>>>>>>> 404.576.3625
>>>>>>>> —————
>>>>>>>> po box 93292
>>>>>>>> atlanta ga 30377
>>>>>>>> —————
>>>>>>>> http://vectornectar.com
>>>>>>>>
>>>>>>>> The information in this e-mail is confidential and may be legally
>>>>>>>> privileged. It is intended solely for the addressee. Access to this
>>>>>>>> e-mail
>>>>>>>> message, and documents or images attached to the e-mail, by anyone else
>>>>>>>> other than the intended recipient is unauthorized. If you have received
>>>>>>>> this email in error, please delete it.
>>>>>>>>
>>>>>>>>
>>>>>>>> On 15 July 2014 16:55, Priscilla Smith <priscillagaysmith@xxxxxxxxx
>>>>>>>> > wrote:
>>>>>>>>
>>>>>>>>> At Sunday's meeting I mentioned Grady's desire to see an art show
>>>>>>>>> that looked at the building as-is as a work of art. I talked to him
>>>>>>>>> yesterday to try to get a better idea of what he had in mind. He
>>>>>>>>> didn't
>>>>>>>>> have anything very specific in mind, but he did say words that
>>>>>>>>> suggested
>>>>>>>>> one approach would be to commission 5 or 8 artists (Grady has offered
>>>>>>>>> to
>>>>>>>>> pay reasonable $350 or so, stipends) to come in and "do one thing" to
>>>>>>>>> some
>>>>>>>>> current aspect of the building, things like lighting or installing
>>>>>>>>> one of
>>>>>>>>> their works in that context.
>>>>>>>>>
>>>>>>>>> Here is an outline of a plan I'm suggesting. It's totally open for
>>>>>>>>> discussion. I haven't presented it to him, yet, wanted to get input.
>>>>>>>>>
>>>>>>>>> It has to be curated and mounted quickly, as we need to get ready
>>>>>>>>> for September and October.
>>>>>>>>>
>>>>>>>>> Announce the project (maybe call it "Existing Conditions", a
>>>>>>>>> reference to contractor-speak)
>>>>>>>>>
>>>>>>>>> Tell interested artists to make an appointment to walk through the
>>>>>>>>> space. I'd make make myself available for a 24- or 36-hour period.
>>>>>>>>>
>>>>>>>>> Get a one-page description of what they want to do, including
>>>>>>>>> time-line. Emphasize using things as-is, creating a framework or
>>>>>>>>> context or
>>>>>>>>> way of looking at the thing the artist wants to highlight more than
>>>>>>>>> making
>>>>>>>>> major changes.
>>>>>>>>>
>>>>>>>>> Jury the work. Who sits on the jury?
>>>>>>>>>
>>>>>>>>> Give a 2 or 3-day time-frame to get the work done.
>>>>>>>>>
>>>>>>>>> One weekend, provide guided tours of the exhibition.
>>>>>>>>>
>>>>>>>>> We'd ask patrons to sign a waver. Safety would be very important,
>>>>>>>>> tours would be by small group and guided.
>>>>>>>>> -----------------------
>>>>>>>>>
>>>>>>>>> PLEASE COMMENT
>>>>>>>>>
>>>>>>>>> I think this could be really neat.
>>>>>>>>>
>>>>>>>>> We need an electrician.
>>>>>>>>>
>>>>>>>>> xo
>>>>>>>>> p
>>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>
>>>>>
>>>>>
>>>>> --
>>>>>
>>>>> *Andy Imm*
>>>>>
>>>>> *678**.667.**GLOW *
>>>>>
>>>>>
>>>>>
>>>>> * -- 678.667.4569 <678.667.4569>*
>>>>>
>>>>
>>>>
>>>
>>
>>
>> --
>>
>> *Andy Imm*
>>
>> *678**.667.**GLOW *
>>
>>
>>
>> * -- 678.667.4569 <678.667.4569>*
>>
>
>
>
> --
>
> *Andy Imm*
>
> *678**.667.**GLOW *
>
>
>
> * -- 678.667.4569 <678.667.4569>*
>
--
*Andy Imm*
*678**.667.**GLOW *
* -- 678.667.4569*
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