emphatic nods On Wed, Jul 16, 2014 at 10:47 AM, Woody Cornwell <cornwell.woody@xxxxxxxxx> wrote: > yes stan > > > On Wed, Jul 16, 2014 at 10:40 AM, maxwell sebastian < > maxwellsebastian@xxxxxxxxx> wrote: > >> Ill second Stan. >> On Jul 16, 2014 10:39 AM, "emma ball" <emmagineering@xxxxxxxxx> wrote: >> >>> karen tauches >>> neon workshop seafood restaurant >>> >>> m >>> >>> emma b >>> —————– >>> emmagineering@xxxxxxxxx >>> ————— >>> 404.576.3625 >>> ————— >>> po box 93292 >>> atlanta ga 30377 >>> ————— >>> http://vectornectar.com >>> >>> The information in this e-mail is confidential and may be legally >>> privileged. It is intended solely for the addressee. Access to this e-mail >>> message, and documents or images attached to the e-mail, by anyone else >>> other than the intended recipient is unauthorized. If you have received >>> this email in error, please delete it. >>> >>> >>> On 16 July 2014 10:31, Woody Cornwell <cornwell.woody@xxxxxxxxx> wrote: >>> >>>> yes >>>> >>>> >>>> On Tue, Jul 15, 2014 at 10:02 PM, Andy Imm <andyimm@xxxxxxxxx> wrote: >>>> >>>>> And this guy too ==> http://www.stanwoodard.com/ >>>>> >>>>> >>>>> On Tue, Jul 15, 2014 at 9:57 PM, maxwell sebastian < >>>>> maxwellsebastian@xxxxxxxxx> wrote: >>>>> >>>>>> I mean shit, for $3fiddy I'll make some fucking art! ;) >>>>>> On Jul 15, 2014 4:55 PM, "Priscilla Smith" < >>>>>> priscillagaysmith@xxxxxxxxx> wrote: >>>>>> >>>>>>> At Sunday's meeting I mentioned Grady's desire to see an art show >>>>>>> that looked at the building as-is as a work of art. I talked to him >>>>>>> yesterday to try to get a better idea of what he had in mind. He didn't >>>>>>> have anything very specific in mind, but he did say words that suggested >>>>>>> one approach would be to commission 5 or 8 artists (Grady has offered to >>>>>>> pay reasonable $350 or so, stipends) to come in and "do one thing" to >>>>>>> some >>>>>>> current aspect of the building, things like lighting or installing one >>>>>>> of >>>>>>> their works in that context. >>>>>>> >>>>>>> Here is an outline of a plan I'm suggesting. It's totally open for >>>>>>> discussion. I haven't presented it to him, yet, wanted to get input. >>>>>>> >>>>>>> It has to be curated and mounted quickly, as we need to get ready >>>>>>> for September and October. >>>>>>> >>>>>>> Announce the project (maybe call it "Existing Conditions", a >>>>>>> reference to contractor-speak) >>>>>>> >>>>>>> Tell interested artists to make an appointment to walk through the >>>>>>> space. I'd make make myself available for a 24- or 36-hour period. >>>>>>> >>>>>>> Get a one-page description of what they want to do, including >>>>>>> time-line. Emphasize using things as-is, creating a framework or >>>>>>> context or >>>>>>> way of looking at the thing the artist wants to highlight more than >>>>>>> making >>>>>>> major changes. >>>>>>> >>>>>>> Jury the work. Who sits on the jury? >>>>>>> >>>>>>> Give a 2 or 3-day time-frame to get the work done. >>>>>>> >>>>>>> One weekend, provide guided tours of the exhibition. >>>>>>> >>>>>>> We'd ask patrons to sign a waver. Safety would be very important, >>>>>>> tours would be by small group and guided. >>>>>>> ----------------------- >>>>>>> >>>>>>> PLEASE COMMENT >>>>>>> >>>>>>> I think this could be really neat. >>>>>>> >>>>>>> We need an electrician. >>>>>>> >>>>>>> xo >>>>>>> p >>>>>>> >>>>>> >>>>> >>>>> >>>>> -- >>>>> >>>>> *Andy Imm* >>>>> >>>>> *678**.667.**GLOW * >>>>> >>>>> >>>>> >>>>> * -- 678.667.4569 <678.667.4569>* >>>>> >>>> >>>> >>> >