http://www.thesculpted.com/ Dave Greber http://vimeo.com/goldencalves Chris Chambers On Tue, Jul 15, 2014 at 6:07 PM, Andy Imm <andyimm@xxxxxxxxx> wrote: > meganmosholder.com > > > > On Tue, Jul 15, 2014 at 6:03 PM, Andy Imm <andyimm@xxxxxxxxx> wrote: > >> Or could get the FLUX artists. They are skipping 2014. >> >> http://yopablo.com/ >> http://www.micahstansell.com/ >> >> >> On Tue, Jul 15, 2014 at 5:50 PM, Andy Imm <andyimm@xxxxxxxxx> wrote: >> >>> Was William Massey busy? It seems perfect for him. >>> http://www.williammasseyart.com/ >>> >>> >>> >>> On Tue, Jul 15, 2014 at 5:37 PM, Priscilla Smith < >>> priscillagaysmith@xxxxxxxxx> wrote: >>> >>>> I'm wanting to do a call, even if it's on a short timeline. I'm wary of >>>> showing the same old same old. Looking for fresh involvement. >>>> >>>> >>>> On Tue, Jul 15, 2014 at 5:33 PM, Lindsay Smith < >>>> lindsaymichellesmith@xxxxxxxxx> wrote: >>>> >>>>> great ideas all around! elsewhere has my <3 >>>>> >>>>> maybe just approach some artists that haven't been stroked 2 much >>>>> lately? more sculptural and performance ones? guess that's not very >>>>> specific... you all know more people than i do >>>>> >>>>> >>>>> On Tue, Jul 15, 2014 at 5:25 PM, Andy Imm <andyimm@xxxxxxxxx> wrote: >>>>> >>>>>> Awesome! >>>>>> Lindsay turned me on to this place called Elsewhere; they had a table >>>>>> at the Contemporary Arts Center. >>>>>> >>>>>> Here is their living Natural Museum: >>>>>> http://www.goelsewhere.org/about/history/ >>>>>> Check out the video if you get a chance. >>>>>> >>>>>> Was thinking we could do something where artists are paid to somewhat >>>>>> clean up the space, just a bit, and use the existing items to do >>>>>> sculptural >>>>>> installations but yet preserve the rawness and atmosphere of the space. >>>>>> >>>>>> Exciting stuff happening! Yay! >>>>>> >>>>>> >>>>>> On Tue, Jul 15, 2014 at 5:12 PM, maxwell sebastian < >>>>>> maxwellsebastian@xxxxxxxxx> wrote: >>>>>> >>>>>>> Omfg this sounds great >>>>>>> On Jul 15, 2014 5:05 PM, "Priscilla Smith" < >>>>>>> priscillagaysmith@xxxxxxxxx> wrote: >>>>>>> >>>>>>>> no worries about just nodding for now. I've had a hard time >>>>>>>> thinking of much else, and wondered if this were an insane idea or one >>>>>>>> worth pursuing. >>>>>>>> >>>>>>>> For Y'all's info, spent some time today on the roof cleaning out >>>>>>>> the one utter over the alley. Maybe it'll help. >>>>>>>> >>>>>>>> >>>>>>>> On Tue, Jul 15, 2014 at 5:02 PM, emma ball <emmagineering@xxxxxxxxx >>>>>>>> > wrote: >>>>>>>> >>>>>>>>> nice work! this sounds awesome, pris. >>>>>>>>> >>>>>>>>> try to write more than a nodding head later >>>>>>>>> >>>>>>>>> m >>>>>>>>> >>>>>>>>> emma b >>>>>>>>> —————– >>>>>>>>> emmagineering@xxxxxxxxx >>>>>>>>> ————— >>>>>>>>> 404.576.3625 >>>>>>>>> ————— >>>>>>>>> po box 93292 >>>>>>>>> atlanta ga 30377 >>>>>>>>> ————— >>>>>>>>> http://vectornectar.com >>>>>>>>> >>>>>>>>> The information in this e-mail is confidential and may be legally >>>>>>>>> privileged. It is intended solely for the addressee. Access to this >>>>>>>>> e-mail >>>>>>>>> message, and documents or images attached to the e-mail, by anyone >>>>>>>>> else >>>>>>>>> other than the intended recipient is unauthorized. If you have >>>>>>>>> received >>>>>>>>> this email in error, please delete it. >>>>>>>>> >>>>>>>>> >>>>>>>>> On 15 July 2014 16:55, Priscilla Smith < >>>>>>>>> priscillagaysmith@xxxxxxxxx> wrote: >>>>>>>>> >>>>>>>>>> At Sunday's meeting I mentioned Grady's desire to see an art show >>>>>>>>>> that looked at the building as-is as a work of art. I talked to him >>>>>>>>>> yesterday to try to get a better idea of what he had in mind. He >>>>>>>>>> didn't >>>>>>>>>> have anything very specific in mind, but he did say words that >>>>>>>>>> suggested >>>>>>>>>> one approach would be to commission 5 or 8 artists (Grady has >>>>>>>>>> offered to >>>>>>>>>> pay reasonable $350 or so, stipends) to come in and "do one thing" >>>>>>>>>> to some >>>>>>>>>> current aspect of the building, things like lighting or installing >>>>>>>>>> one of >>>>>>>>>> their works in that context. >>>>>>>>>> >>>>>>>>>> Here is an outline of a plan I'm suggesting. It's totally open >>>>>>>>>> for discussion. I haven't presented it to him, yet, wanted to get >>>>>>>>>> input. >>>>>>>>>> >>>>>>>>>> It has to be curated and mounted quickly, as we need to get ready >>>>>>>>>> for September and October. >>>>>>>>>> >>>>>>>>>> Announce the project (maybe call it "Existing Conditions", a >>>>>>>>>> reference to contractor-speak) >>>>>>>>>> >>>>>>>>>> Tell interested artists to make an appointment to walk through >>>>>>>>>> the space. I'd make make myself available for a 24- or 36-hour >>>>>>>>>> period. >>>>>>>>>> >>>>>>>>>> Get a one-page description of what they want to do, including >>>>>>>>>> time-line. Emphasize using things as-is, creating a framework or >>>>>>>>>> context or >>>>>>>>>> way of looking at the thing the artist wants to highlight more than >>>>>>>>>> making >>>>>>>>>> major changes. >>>>>>>>>> >>>>>>>>>> Jury the work. Who sits on the jury? >>>>>>>>>> >>>>>>>>>> Give a 2 or 3-day time-frame to get the work done. >>>>>>>>>> >>>>>>>>>> One weekend, provide guided tours of the exhibition. >>>>>>>>>> >>>>>>>>>> We'd ask patrons to sign a waver. Safety would be very important, >>>>>>>>>> tours would be by small group and guided. >>>>>>>>>> ----------------------- >>>>>>>>>> >>>>>>>>>> PLEASE COMMENT >>>>>>>>>> >>>>>>>>>> I think this could be really neat. >>>>>>>>>> >>>>>>>>>> We need an electrician. >>>>>>>>>> >>>>>>>>>> xo >>>>>>>>>> p >>>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>> >>>>>> >>>>>> >>>>>> -- >>>>>> >>>>>> *Andy Imm* >>>>>> >>>>>> *678**.667.**GLOW * >>>>>> >>>>>> >>>>>> >>>>>> * -- 678.667.4569 <678.667.4569>* >>>>>> >>>>> >>>>> >>>> >>> >>> >>> -- >>> >>> *Andy Imm* >>> >>> *678**.667.**GLOW * >>> >>> >>> >>> * -- 678.667.4569 <678.667.4569>* >>> >> >> >> >> -- >> >> *Andy Imm* >> >> *678**.667.**GLOW * >> >> >> >> * -- 678.667.4569 <678.667.4569>* >> > > > > -- > > *Andy Imm* > > *678**.667.**GLOW * > > > > * -- 678.667.4569 <678.667.4569>* > -- *Andy Imm* *678**.667.**GLOW * * -- 678.667.4569*