[eyedrumartcomm] Re: show theme we discussed
- From: Andy Imm <andyimm@xxxxxxxxx>
- To: "eyedrumartcomm@xxxxxxxxxxxxx" <eyedrumartcomm@xxxxxxxxxxxxx>
- Date: Wed, 16 Jul 2014 11:12:37 -0400
Is there an artist "poke" button?
On Wed, Jul 16, 2014 at 11:10 AM, maxwell sebastian <
maxwellsebastian@xxxxxxxxx> wrote:
> It's there someway to electronically transmit high fives?
> On Jul 16, 2014 11:06 AM, "Andy Imm" <andyimm@xxxxxxxxx> wrote:
>
>> I'll let Stan know. Is there some blanket wording we want to send out to
>> get others too?
>>
>>
>> On Wed, Jul 16, 2014 at 10:54 AM, emma ball <emmagineering@xxxxxxxxx>
>> wrote:
>>
>>> so that's a few worth a shot we need to contact them post haste. is
>>> there formal copy? is this something we can develop on the quick? all
>>> parties involved need to be aware of risks and
>>>
>>> timeline and dates need to be established too.
>>>
>>> m
>>>
>>> emma b
>>> —————–
>>> emmagineering@xxxxxxxxx
>>> —————
>>> 404.576.3625
>>> —————
>>> po box 93292
>>> atlanta ga 30377
>>> —————
>>> http://vectornectar.com
>>>
>>> The information in this e-mail is confidential and may be legally
>>> privileged. It is intended solely for the addressee. Access to this e-mail
>>> message, and documents or images attached to the e-mail, by anyone else
>>> other than the intended recipient is unauthorized. If you have received
>>> this email in error, please delete it.
>>>
>>>
>>> On 16 July 2014 10:50, maxwell sebastian <maxwellsebastian@xxxxxxxxx>
>>> wrote:
>>>
>>>> Can we get this guy?
>>>>
>>>>
>>>> http://sploid.gizmodo.com/this-pile-of-trash-actually-hides-a-stunning-portrait-1597270614
>>>> On Jul 16, 2014 10:48 AM, "Woody Cornwell" <cornwell.woody@xxxxxxxxx>
>>>> wrote:
>>>>
>>>>> yes stan
>>>>>
>>>>>
>>>>> On Wed, Jul 16, 2014 at 10:40 AM, maxwell sebastian <
>>>>> maxwellsebastian@xxxxxxxxx> wrote:
>>>>>
>>>>>> Ill second Stan.
>>>>>> On Jul 16, 2014 10:39 AM, "emma ball" <emmagineering@xxxxxxxxx>
>>>>>> wrote:
>>>>>>
>>>>>>> karen tauches
>>>>>>> neon workshop seafood restaurant
>>>>>>>
>>>>>>> m
>>>>>>>
>>>>>>> emma b
>>>>>>> —————–
>>>>>>> emmagineering@xxxxxxxxx
>>>>>>> —————
>>>>>>> 404.576.3625
>>>>>>> —————
>>>>>>> po box 93292
>>>>>>> atlanta ga 30377
>>>>>>> —————
>>>>>>> http://vectornectar.com
>>>>>>>
>>>>>>> The information in this e-mail is confidential and may be legally
>>>>>>> privileged. It is intended solely for the addressee. Access to this
>>>>>>> e-mail
>>>>>>> message, and documents or images attached to the e-mail, by anyone else
>>>>>>> other than the intended recipient is unauthorized. If you have received
>>>>>>> this email in error, please delete it.
>>>>>>>
>>>>>>>
>>>>>>> On 16 July 2014 10:31, Woody Cornwell <cornwell.woody@xxxxxxxxx>
>>>>>>> wrote:
>>>>>>>
>>>>>>>> yes
>>>>>>>>
>>>>>>>>
>>>>>>>> On Tue, Jul 15, 2014 at 10:02 PM, Andy Imm <andyimm@xxxxxxxxx>
>>>>>>>> wrote:
>>>>>>>>
>>>>>>>>> And this guy too ==> http://www.stanwoodard.com/
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> On Tue, Jul 15, 2014 at 9:57 PM, maxwell sebastian <
>>>>>>>>> maxwellsebastian@xxxxxxxxx> wrote:
>>>>>>>>>
>>>>>>>>>> I mean shit, for $3fiddy I'll make some fucking art! ;)
>>>>>>>>>> On Jul 15, 2014 4:55 PM, "Priscilla Smith" <
>>>>>>>>>> priscillagaysmith@xxxxxxxxx> wrote:
>>>>>>>>>>
>>>>>>>>>>> At Sunday's meeting I mentioned Grady's desire to see an art
>>>>>>>>>>> show that looked at the building as-is as a work of art. I talked
>>>>>>>>>>> to him
>>>>>>>>>>> yesterday to try to get a better idea of what he had in mind. He
>>>>>>>>>>> didn't
>>>>>>>>>>> have anything very specific in mind, but he did say words that
>>>>>>>>>>> suggested
>>>>>>>>>>> one approach would be to commission 5 or 8 artists (Grady has
>>>>>>>>>>> offered to
>>>>>>>>>>> pay reasonable $350 or so, stipends) to come in and "do one thing"
>>>>>>>>>>> to some
>>>>>>>>>>> current aspect of the building, things like lighting or installing
>>>>>>>>>>> one of
>>>>>>>>>>> their works in that context.
>>>>>>>>>>>
>>>>>>>>>>> Here is an outline of a plan I'm suggesting. It's totally open
>>>>>>>>>>> for discussion. I haven't presented it to him, yet, wanted to get
>>>>>>>>>>> input.
>>>>>>>>>>>
>>>>>>>>>>> It has to be curated and mounted quickly, as we need to get
>>>>>>>>>>> ready for September and October.
>>>>>>>>>>>
>>>>>>>>>>> Announce the project (maybe call it "Existing Conditions", a
>>>>>>>>>>> reference to contractor-speak)
>>>>>>>>>>>
>>>>>>>>>>> Tell interested artists to make an appointment to walk through
>>>>>>>>>>> the space. I'd make make myself available for a 24- or 36-hour
>>>>>>>>>>> period.
>>>>>>>>>>>
>>>>>>>>>>> Get a one-page description of what they want to do, including
>>>>>>>>>>> time-line. Emphasize using things as-is, creating a framework or
>>>>>>>>>>> context or
>>>>>>>>>>> way of looking at the thing the artist wants to highlight more than
>>>>>>>>>>> making
>>>>>>>>>>> major changes.
>>>>>>>>>>>
>>>>>>>>>>> Jury the work. Who sits on the jury?
>>>>>>>>>>>
>>>>>>>>>>> Give a 2 or 3-day time-frame to get the work done.
>>>>>>>>>>>
>>>>>>>>>>> One weekend, provide guided tours of the exhibition.
>>>>>>>>>>>
>>>>>>>>>>> We'd ask patrons to sign a waver. Safety would be very
>>>>>>>>>>> important, tours would be by small group and guided.
>>>>>>>>>>> -----------------------
>>>>>>>>>>>
>>>>>>>>>>> PLEASE COMMENT
>>>>>>>>>>>
>>>>>>>>>>> I think this could be really neat.
>>>>>>>>>>>
>>>>>>>>>>> We need an electrician.
>>>>>>>>>>>
>>>>>>>>>>> xo
>>>>>>>>>>> p
>>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> --
>>>>>>>>>
>>>>>>>>> *Andy Imm*
>>>>>>>>>
>>>>>>>>> *678**.667.**GLOW *
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> * -- 678.667.4569 <678.667.4569>*
>>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>
>>>>>
>>>
>>
>>
>> --
>>
>> *Andy Imm*
>>
>> *678**.667.**GLOW *
>>
>>
>>
>> * -- 678.667.4569 <678.667.4569>*
>>
>
--
*Andy Imm*
*678**.667.**GLOW *
* -- 678.667.4569*
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