Or could get the FLUX artists. They are skipping 2014. http://yopablo.com/ http://www.micahstansell.com/ On Tue, Jul 15, 2014 at 5:50 PM, Andy Imm <andyimm@xxxxxxxxx> wrote: > Was William Massey busy? It seems perfect for him. > http://www.williammasseyart.com/ > > > > On Tue, Jul 15, 2014 at 5:37 PM, Priscilla Smith < > priscillagaysmith@xxxxxxxxx> wrote: > >> I'm wanting to do a call, even if it's on a short timeline. I'm wary of >> showing the same old same old. Looking for fresh involvement. >> >> >> On Tue, Jul 15, 2014 at 5:33 PM, Lindsay Smith < >> lindsaymichellesmith@xxxxxxxxx> wrote: >> >>> great ideas all around! elsewhere has my <3 >>> >>> maybe just approach some artists that haven't been stroked 2 much >>> lately? more sculptural and performance ones? guess that's not very >>> specific... you all know more people than i do >>> >>> >>> On Tue, Jul 15, 2014 at 5:25 PM, Andy Imm <andyimm@xxxxxxxxx> wrote: >>> >>>> Awesome! >>>> Lindsay turned me on to this place called Elsewhere; they had a table >>>> at the Contemporary Arts Center. >>>> >>>> Here is their living Natural Museum: >>>> http://www.goelsewhere.org/about/history/ >>>> Check out the video if you get a chance. >>>> >>>> Was thinking we could do something where artists are paid to somewhat >>>> clean up the space, just a bit, and use the existing items to do sculptural >>>> installations but yet preserve the rawness and atmosphere of the space. >>>> >>>> Exciting stuff happening! Yay! >>>> >>>> >>>> On Tue, Jul 15, 2014 at 5:12 PM, maxwell sebastian < >>>> maxwellsebastian@xxxxxxxxx> wrote: >>>> >>>>> Omfg this sounds great >>>>> On Jul 15, 2014 5:05 PM, "Priscilla Smith" < >>>>> priscillagaysmith@xxxxxxxxx> wrote: >>>>> >>>>>> no worries about just nodding for now. I've had a hard time thinking >>>>>> of much else, and wondered if this were an insane idea or one worth >>>>>> pursuing. >>>>>> >>>>>> For Y'all's info, spent some time today on the roof cleaning out the >>>>>> one utter over the alley. Maybe it'll help. >>>>>> >>>>>> >>>>>> On Tue, Jul 15, 2014 at 5:02 PM, emma ball <emmagineering@xxxxxxxxx> >>>>>> wrote: >>>>>> >>>>>>> nice work! this sounds awesome, pris. >>>>>>> >>>>>>> try to write more than a nodding head later >>>>>>> >>>>>>> m >>>>>>> >>>>>>> emma b >>>>>>> —————– >>>>>>> emmagineering@xxxxxxxxx >>>>>>> ————— >>>>>>> 404.576.3625 >>>>>>> ————— >>>>>>> po box 93292 >>>>>>> atlanta ga 30377 >>>>>>> ————— >>>>>>> http://vectornectar.com >>>>>>> >>>>>>> The information in this e-mail is confidential and may be legally >>>>>>> privileged. It is intended solely for the addressee. Access to this >>>>>>> e-mail >>>>>>> message, and documents or images attached to the e-mail, by anyone else >>>>>>> other than the intended recipient is unauthorized. If you have received >>>>>>> this email in error, please delete it. >>>>>>> >>>>>>> >>>>>>> On 15 July 2014 16:55, Priscilla Smith <priscillagaysmith@xxxxxxxxx> >>>>>>> wrote: >>>>>>> >>>>>>>> At Sunday's meeting I mentioned Grady's desire to see an art show >>>>>>>> that looked at the building as-is as a work of art. I talked to him >>>>>>>> yesterday to try to get a better idea of what he had in mind. He didn't >>>>>>>> have anything very specific in mind, but he did say words that >>>>>>>> suggested >>>>>>>> one approach would be to commission 5 or 8 artists (Grady has offered >>>>>>>> to >>>>>>>> pay reasonable $350 or so, stipends) to come in and "do one thing" to >>>>>>>> some >>>>>>>> current aspect of the building, things like lighting or installing one >>>>>>>> of >>>>>>>> their works in that context. >>>>>>>> >>>>>>>> Here is an outline of a plan I'm suggesting. It's totally open for >>>>>>>> discussion. I haven't presented it to him, yet, wanted to get input. >>>>>>>> >>>>>>>> It has to be curated and mounted quickly, as we need to get ready >>>>>>>> for September and October. >>>>>>>> >>>>>>>> Announce the project (maybe call it "Existing Conditions", a >>>>>>>> reference to contractor-speak) >>>>>>>> >>>>>>>> Tell interested artists to make an appointment to walk through the >>>>>>>> space. I'd make make myself available for a 24- or 36-hour period. >>>>>>>> >>>>>>>> Get a one-page description of what they want to do, including >>>>>>>> time-line. Emphasize using things as-is, creating a framework or >>>>>>>> context or >>>>>>>> way of looking at the thing the artist wants to highlight more than >>>>>>>> making >>>>>>>> major changes. >>>>>>>> >>>>>>>> Jury the work. Who sits on the jury? >>>>>>>> >>>>>>>> Give a 2 or 3-day time-frame to get the work done. >>>>>>>> >>>>>>>> One weekend, provide guided tours of the exhibition. >>>>>>>> >>>>>>>> We'd ask patrons to sign a waver. Safety would be very important, >>>>>>>> tours would be by small group and guided. >>>>>>>> ----------------------- >>>>>>>> >>>>>>>> PLEASE COMMENT >>>>>>>> >>>>>>>> I think this could be really neat. >>>>>>>> >>>>>>>> We need an electrician. >>>>>>>> >>>>>>>> xo >>>>>>>> p >>>>>>>> >>>>>>> >>>>>>> >>>>>> >>>> >>>> >>>> -- >>>> >>>> *Andy Imm* >>>> >>>> *678**.667.**GLOW * >>>> >>>> >>>> >>>> * -- 678.667.4569 <678.667.4569>* >>>> >>> >>> >> > > > -- > > *Andy Imm* > > *678**.667.**GLOW * > > > > * -- 678.667.4569 <678.667.4569>* > -- *Andy Imm* *678**.667.**GLOW * * -- 678.667.4569*