Can we get in touch auth ga tech architecture students? That might be agreat opportunity to see creative ways they would repurpose a space. Also maybe we could open it up to freeside? On Jul 16, 2014 12:20 PM, "Al Matthews" <prolepsis@xxxxxxxxx> wrote: > Glomming on. > > I like Karen T but I am not a huge fan, either, of those interventions in > my neighborhood. Micah Stansell couldn't possibly need more exposure? +1 > for Helen Hale, adding: Dance Truckers, Christina Price Washington, Robin > Bernat perhaps, Jonathan Bouknight has expressed interest in showing at > Eyedrum. Lang Harm-ers? Zac and James have been about lately at Typos. > Pastiche Lumumba (of the low museum e.g.). Book arts people? Library > interventions? > > > On Wed, Jul 16, 2014 at 11:46 AM, Priscilla Smith < > priscillagaysmith@xxxxxxxxx> wrote: > >> Please don't ask anybody just yet? >> >> I am not satisfied doing this without some opportunity for people we >> don't know having the chance to submit. I am not interested in only showing >> folks we already know. >> >> >> Is Karen Tauches the only female artist in Atlanta? I don't think so . . . >> >> Suggested so far (with some opinions): >> >> >> Pablo Gnecco Flux artists (they are many and from all over)- just had a >> show at 72 Marietta >> Micah Stansell - seen him a lot lately >> Stan - four "yes" >> Bernard Praz (Dali-style agglomeration with lens) - probably not feasible >> Karen Tauches (at least two votes "no") at least one vote "yes" >> Dennis Coburn - >> Crash Hottman - >> Maxwell (self-nominated!) :-) >> Kris Pilcher - one vote no, two votes yes >> William Massey - he's already commissioned for the big project in October >> >> Artists known for responding to site: >> Patton White (performance) >> Helen Hale (performance) >> >> Literary artists? >> >> Other performers? >> >> Musicians? >> >> It's a perfect opportunity to do what Eyedrum claims to like to do in >> terms of working across media. >> >> I'll be running this idea by other committees' folks, too. >> >> I'm writing up the parameters, making calendar, etc., but won't have it >> ready until late this afternoon/early this evening. >> >> Could interested parties get together in the next day or so to >> plan/discuss? this evening after 9 I could do. Tomorrow after 9. Friday >> before 7, after 9 (running concessions stand to make Eyedrum some $ at West >> End Perf. Arts Ctr. We could meet there) >> >> Taking care of other Eyedrum biz. >> >> Feel free to telephone if you want to. >> >> THANK YOU ALL for being engaged. This is fantastic. >> >> xo >> p >> >> >> >> On Wed, Jul 16, 2014 at 11:05 AM, Andy Imm <andyimm@xxxxxxxxx> wrote: >> >>> I'll let Stan know. Is there some blanket wording we want to send out to >>> get others too? >>> >>> >>> On Wed, Jul 16, 2014 at 10:54 AM, emma ball <emmagineering@xxxxxxxxx> >>> wrote: >>> >>>> so that's a few worth a shot we need to contact them post haste. is >>>> there formal copy? is this something we can develop on the quick? all >>>> parties involved need to be aware of risks and >>>> >>>> timeline and dates need to be established too. >>>> >>>> m >>>> >>>> emma b >>>> —————– >>>> emmagineering@xxxxxxxxx >>>> ————— >>>> 404.576.3625 >>>> ————— >>>> po box 93292 >>>> atlanta ga 30377 >>>> ————— >>>> http://vectornectar.com >>>> >>>> The information in this e-mail is confidential and may be legally >>>> privileged. It is intended solely for the addressee. Access to this e-mail >>>> message, and documents or images attached to the e-mail, by anyone else >>>> other than the intended recipient is unauthorized. If you have received >>>> this email in error, please delete it. >>>> >>>> >>>> On 16 July 2014 10:50, maxwell sebastian <maxwellsebastian@xxxxxxxxx> >>>> wrote: >>>> >>>>> Can we get this guy? >>>>> >>>>> >>>>> http://sploid.gizmodo.com/this-pile-of-trash-actually-hides-a-stunning-portrait-1597270614 >>>>> On Jul 16, 2014 10:48 AM, "Woody Cornwell" <cornwell.woody@xxxxxxxxx> >>>>> wrote: >>>>> >>>>>> yes stan >>>>>> >>>>>> >>>>>> On Wed, Jul 16, 2014 at 10:40 AM, maxwell sebastian < >>>>>> maxwellsebastian@xxxxxxxxx> wrote: >>>>>> >>>>>>> Ill second Stan. >>>>>>> On Jul 16, 2014 10:39 AM, "emma ball" <emmagineering@xxxxxxxxx> >>>>>>> wrote: >>>>>>> >>>>>>>> karen tauches >>>>>>>> neon workshop seafood restaurant >>>>>>>> >>>>>>>> m >>>>>>>> >>>>>>>> emma b >>>>>>>> —————– >>>>>>>> emmagineering@xxxxxxxxx >>>>>>>> ————— >>>>>>>> 404.576.3625 >>>>>>>> ————— >>>>>>>> po box 93292 >>>>>>>> atlanta ga 30377 >>>>>>>> ————— >>>>>>>> http://vectornectar.com >>>>>>>> >>>>>>>> The information in this e-mail is confidential and may be legally >>>>>>>> privileged. It is intended solely for the addressee. Access to this >>>>>>>> e-mail >>>>>>>> message, and documents or images attached to the e-mail, by anyone else >>>>>>>> other than the intended recipient is unauthorized. If you have received >>>>>>>> this email in error, please delete it. >>>>>>>> >>>>>>>> >>>>>>>> On 16 July 2014 10:31, Woody Cornwell <cornwell.woody@xxxxxxxxx> >>>>>>>> wrote: >>>>>>>> >>>>>>>>> yes >>>>>>>>> >>>>>>>>> >>>>>>>>> On Tue, Jul 15, 2014 at 10:02 PM, Andy Imm <andyimm@xxxxxxxxx> >>>>>>>>> wrote: >>>>>>>>> >>>>>>>>>> And this guy too ==> http://www.stanwoodard.com/ >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> On Tue, Jul 15, 2014 at 9:57 PM, maxwell sebastian < >>>>>>>>>> maxwellsebastian@xxxxxxxxx> wrote: >>>>>>>>>> >>>>>>>>>>> I mean shit, for $3fiddy I'll make some fucking art! ;) >>>>>>>>>>> On Jul 15, 2014 4:55 PM, "Priscilla Smith" < >>>>>>>>>>> priscillagaysmith@xxxxxxxxx> wrote: >>>>>>>>>>> >>>>>>>>>>>> At Sunday's meeting I mentioned Grady's desire to see an art >>>>>>>>>>>> show that looked at the building as-is as a work of art. I talked >>>>>>>>>>>> to him >>>>>>>>>>>> yesterday to try to get a better idea of what he had in mind. He >>>>>>>>>>>> didn't >>>>>>>>>>>> have anything very specific in mind, but he did say words that >>>>>>>>>>>> suggested >>>>>>>>>>>> one approach would be to commission 5 or 8 artists (Grady has >>>>>>>>>>>> offered to >>>>>>>>>>>> pay reasonable $350 or so, stipends) to come in and "do one thing" >>>>>>>>>>>> to some >>>>>>>>>>>> current aspect of the building, things like lighting or installing >>>>>>>>>>>> one of >>>>>>>>>>>> their works in that context. >>>>>>>>>>>> >>>>>>>>>>>> Here is an outline of a plan I'm suggesting. It's totally open >>>>>>>>>>>> for discussion. I haven't presented it to him, yet, wanted to get >>>>>>>>>>>> input. >>>>>>>>>>>> >>>>>>>>>>>> It has to be curated and mounted quickly, as we need to get >>>>>>>>>>>> ready for September and October. >>>>>>>>>>>> >>>>>>>>>>>> Announce the project (maybe call it "Existing Conditions", a >>>>>>>>>>>> reference to contractor-speak) >>>>>>>>>>>> >>>>>>>>>>>> Tell interested artists to make an appointment to walk through >>>>>>>>>>>> the space. I'd make make myself available for a 24- or 36-hour >>>>>>>>>>>> period. >>>>>>>>>>>> >>>>>>>>>>>> Get a one-page description of what they want to do, including >>>>>>>>>>>> time-line. Emphasize using things as-is, creating a framework or >>>>>>>>>>>> context or >>>>>>>>>>>> way of looking at the thing the artist wants to highlight more >>>>>>>>>>>> than making >>>>>>>>>>>> major changes. >>>>>>>>>>>> >>>>>>>>>>>> Jury the work. Who sits on the jury? >>>>>>>>>>>> >>>>>>>>>>>> Give a 2 or 3-day time-frame to get the work done. >>>>>>>>>>>> >>>>>>>>>>>> One weekend, provide guided tours of the exhibition. >>>>>>>>>>>> >>>>>>>>>>>> We'd ask patrons to sign a waver. Safety would be very >>>>>>>>>>>> important, tours would be by small group and guided. >>>>>>>>>>>> ----------------------- >>>>>>>>>>>> >>>>>>>>>>>> PLEASE COMMENT >>>>>>>>>>>> >>>>>>>>>>>> I think this could be really neat. >>>>>>>>>>>> >>>>>>>>>>>> We need an electrician. >>>>>>>>>>>> >>>>>>>>>>>> xo >>>>>>>>>>>> p >>>>>>>>>>>> >>>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> -- >>>>>>>>>> >>>>>>>>>> *Andy Imm* >>>>>>>>>> >>>>>>>>>> *678**.667.**GLOW * >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> * -- 678.667.4569 <678.667.4569>* >>>>>>>>>> >>>>>>>>> >>>>>>>>> >>>>>>>> >>>>>> >>>> >>> >>> >>> -- >>> >>> *Andy Imm* >>> >>> *678**.667.**GLOW * >>> >>> >>> >>> * -- 678.667.4569 <678.667.4569>* >>> >> >> >