[pure-silver] Re: Neither My Hassy Nor View Camera Have This Problem

  • From: "Richard Knoppow" <dickburk@xxxxxxxxxxxxx>
  • To: <pure-silver@xxxxxxxxxxxxx>
  • Date: Fri, 29 Oct 2010 15:08:36 -0700


----- Original Message ----- From: "Helge Nareid" <hn.groups@xxxxxxxxxxxx>
To: <pure-silver@xxxxxxxxxxxxx>
Sent: Friday, October 29, 2010 2:31 PM
Subject: [pure-silver] Re: Neither My Hassy Nor View Camera Have This Problem

A couple of one-shot cameras had pellicle mirrors. I am having trouble remembering names accuractly now but I think Devin and National Photocolor were two, in fact I think those merged. The other was I think Thomas S. Curtis, who was local at least for a time. Both of these companies also made materials for three-color Carbro printing, which was the standard method for advertising pre-press at the time. Three color Carbro is capable of extrememly high quality but is one of the fussiest printing methods there is. There were specialist labs in New York and Los Angeles who did nothing else. Both the one-shot cameras and the carbro prints were pretty much supplanted by Kodachrome. Some studios continued with the color sep process because it was independant of Kodak where all Kodachrome had to be processed at Rochester. One can tell the difference in the results even with the limitations of the old half-tone color methods. Advertisments from one shot cameras and carbro prints tended to be somewhat pastell and somewhat blury looking while those from Kodachrome originals were sharper and had much brighter colors. I think the color separation plates were made directly from the transparencies. Eventually dye transfer printing took over from carbro for high quality color printing, the results were sharper and the process, while still difficult, was much easier and more reliable than carbro. One shot cameras and carbro printing materials continued to be made until perhaps the mid-1950s. The British carbro materials (Autochrome?) were considered unreliable by the advertising industry.
    What are you doing these days? Still in Scotland?
--
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx
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