The "medical term" pulls up some interesting stuff on Google .... (is the psych use the "medical" definition you had in mind?): "syn·ton·ic (http://www.yourdictionary.com/ahd/pron/S0971450.wav) _Listen:_ (http://www.yourdictionary.com/ahd/pron/S0971450.wav) [ sn-tnk ] adj. 1. Psychology Characterized by a high degree of emotional responsiveness to the environment. 2. Electricity Of or relating to two oscillating circuits having the same resonant frequency. " Then there's this (which if I can kick my brain into gear long enough to read it with comprehension should be fairly fascinating): _http://en.wikipedia.org/wiki/Syntonic_comma_ (http://en.wikipedia.org/wiki/Syntonic_comma) <<The syntonic comma, also known as the comma of _Didymus_ (http://en.wikipedia.org/wiki/Didymus_the_Musician) or _Ptolemaic_ (http://en.wikipedia.org/wiki/Ptolemy) comma, is a small _interval_ (http://en.wikipedia.org/wiki/Interval_(music)) between two _musical_ (http://en.wikipedia.org/wiki/Music) notes, equal to the frequency ratio 81:80, or around 21.51 _cents_ (http://en.wikipedia.org/wiki/Cent_(music)) . It is the difference between four _justly_ (http://en.wikipedia.org/wiki/Just_intonation) tuned _perfect fifths_ (http://en.wikipedia.org/wiki/Perfect_fifth) , and two _octaves_ (http://en.wikipedia.org/wiki/Octave) plus a justly tuned _major third_ (http://en.wikipedia.org/wiki/Major_third) . A just perfect fifth has its notes in the _frequency_ (http://en.wikipedia.org/wiki/Frequency) ratio _3:2_ (http://en.wikipedia.org/wiki/Sesquialterum) , which is equal to 701.955 cents, and four of them are equal to 2807.82 cents. A just major third has its notes in the frequency ratio _5:4_ (http://en.wikipedia.org/wiki/Sesquiquartum) , which is equal to 386.31 cents, and one of them plus two octaves is equal to 2786.31 cents. The difference between these is 21.51, a syntonic comma. This difference is significant because on a _piano_ (http://en.wikipedia.org/wiki/Piano) keyboard, four fifths is equal to two octaves plus a major third. Starting from a C, both combinations of intervals will end up at E. The fact that using justly tuned intervals yields two slightly different notes is one of the reasons compromises have to be made when deciding which system of _musical tuning_ (http://en.wikipedia.org/wiki/Musical_tuning) to use for an instrument. _Pythagorean tuning_ (http://en.wikipedia.org/wiki/Pythagorean_tuning) tunes the fifths as exact 3:2s, but uses the relatively complex ratio of 81:64 for major thirds. _quarter-comma meantone_ (http://en.wikipedia.org/wiki/Quarter-comma_meantone) , on the other hand, uses exact 5:4s for major thirds, but flattens each of the fifths by a quarter of a syntonic comma. Other systems use different compromises. In _just intonation_ (http://en.wikipedia.org/wiki/Just_intonation) using prime factors up to 5, the syntonic comma is the ratio between the major tone of 9:8 and the minor tone of 10:9 (so is 81:80). In _meantone temperaments_ (http://en.wikipedia.org/wiki/Meantone_temperament) , the major and minor tones are made equal. In Pythagorean tuning, the minor tone, is replaced by the major tone of 9:8. In quarter-comma meantone, the major and minor tones are made equal to the square root of 5:4. Another frequently encountered comma is the _Pythagorean comma_ (http://en.wikipedia.org/wiki/Pythagorean_comma) .>> and this: _http://www.syntonicarts.com/_ (http://www.syntonicarts.com/) Julie Krueger ========Original Message======== Subj: [lit-ideas] Re: The torture graph Date: 4/8/06 5:28:21 P.M. Central Daylight Time From: _eyost1132@xxxxxxxxxxxxxx (mailto:eyost1132@xxxxxxxxxxxxx) To: _lit-ideas@xxxxxxxxxxxxxx (mailto:lit-ideas@xxxxxxxxxxxxx) Sent on: Julie: You guys are *so* good for my vocabulary... I was playing fast and loose with a medical term. The point was bamboozling works both ways. Believing everything the government says, and not believing anything the government says...the same thing. For all we know, this could be a case of "The NeoCon who cried Wolf!" Maybe we should have kept our powder dry for Iran? Many people did ask, "Why invade Iraq? Isn't Iran the real threat?" _____________________ Ego-Syntonic - The opposite of ego-dystonic, this term refers to behavior or mental acts, such as thoughts, feelings, and desires, which are seen as acceptable to the aims of the ego and the related psychological needs of the individual. The individual usually fails to see this behavior as a problem and simply considers it as part of their identity. http://www.sparknotes.com/psychology/abnormal/personality/terms.html Ego-syntonic object manipulation: the formation of a submissive relationship. Eckstaedt A. Denial, acting on both the inner and external world, relies on further defence mechanisms in the form of object manipulations aimed at changing reality to make it fit the denying person's inner needs. If the object's ego is not strong enough to resist these manipulations, it is pressured into a submissive relationship. By means of seduction or its opposite, intimidation and the use of threats, the object is made to believe the content of the denying persons's inner or external world. The result is a mutually intrusive and reciprocal relationship in which the roles of victim and perpetrator alternate. This is the case when children are not allowed to acquire their own experiences during the process of transition from symbiosis to separation. Constant exposure to irritation leads to a regression of the ego, to the illusion that everything is possible in the 'we'. Object relations in adult life are then based on a parasitic need for the object in order to realize inner goals. In analysis this is manifested as symbiotic omnipotence, posing a 'serious stumbling block' to the analytic process, which may take the form of an 'as-if' analysis. http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&list_uids =2793328&dopt=Abstract ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html