Austin Franklin wrote: > "suffers". Kind of dramatic. 35mm can easily be equally as sharp as MF at > 5x7 and even up to 8x10 and perhaps beyond. When talking grain or tonality, > that's a different story, you can still have very sharp prints, but start to > see grain. Obviously, this is film dependant (film > choice/exposure/development/shutter speed/camera shake etc.). > > If human visual acuity is 1 arc minute (which is the definition of 20/20 > vision), that corresponds to .0029" at a distance of 10" from the eye. That > is 6.88 lp/mm. So, the most you can distinguish from an 8x10 print held 10 > inches from your face is 175 lp/inch, or 1400 x 1750. > > To match human visual acuity of an 8x10 at 10" with 35mm, you would have to > have only recorded 55 lp/mm on the film. Hardly unreasonable to do so on > 35mm film. > > So, unless you're a really shaky dude and working from a really out of focus > image, I can't imagine how you can see any difference in sharpness on a 5x7 > print made from a 35mm vs a 5x7 made from a Rollei. > > Regards, > > Austin Hi Austin - Your imagination aside, we've been through this before... I can easily tell the difference between a 5 x 7 from a 35 mm neg and one from an MF neg. Others on the list can, too. I don't know what that does to your calculus, but there's life for you. If you can't, then you are blessed with a much less demanding personal photographic baseline, and I guess you should be grateful as life is simpler for you. 8-) And btw 55 lp/mm on a piece of neg is not a gimme by any stretch of the imagination... I suspect it has much to do with the fact that perceived sharpness is not solely a function of resolution. Eric Goldstein