[pure-silver] Re: having digital negatives made

  • From: Eric Nelson <emanmb@xxxxxxxxx>
  • To: pure-silver@xxxxxxxxxxxxx
  • Date: Sat, 24 Jan 2009 13:17:55 -0800 (PST)

Film grain in the copy is what comes into play.



________________________________
From: Eric Neilsen <ej@xxxxxxxxxxxxxxxxxxxxxxxxxx>
To: pure-silver@xxxxxxxxxxxxx
Sent: Saturday, January 24, 2009 1:21:13 PM
Subject: [pure-silver] Re: having digital negatives made


Mark, At the size we are
talking and the fact that scanning is being done, I don’t think that holds much
water. And that is my intuition talking and not based on tests. So much of the 
quality
will depend on the scanner used and settings that going from 2 ¼ to 4x5, that I
have a hard time seeing how the 4x5 will lose quality. I’d be much more
concerned about appropriate use of sharpening steps and grain emulation than a
small amount of image size gain if I were Shannon.  
 
Eric Neilsen
4101 Commerce Street, Suite 9
Dallas, TX 75226
214-827-8301
 
www.ericneilsenphotography.com
SKYPE ejprinter
 
From:pure-silver-bounce@xxxxxxxxxxxxx
[mailto:pure-silver-bounce@xxxxxxxxxxxxx] On Behalf Of mark@xxxxxxxxxxxxxxxxxx
Sent: Saturday, January 24, 2009 1:02 PM
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: having digital negatives made
 
Eric its for one reason only.  The original negative was a
Medium Format negative.  By making the negative bigger you don't have more
information to work with unless you add it.  Adding information may or may
not be a good thing depending on the particular image.  Sort of like
working with upsizing.  Sometimes Geniune Fractals can do wonders, but it
isn't the end all be all.  Sometimes you are better off sticking with what
you have.



-------- Original Message --------
Subject: [pure-silver] Re: having digital negatives made
From: "Eric Neilsen Photography"
<ej@xxxxxxxxxxxxxxxxxxxxxxxxxx>
Date: Sat, January 24, 2009 9:41 am
To: <pure-silver@xxxxxxxxxxxxx>

Mark, Why do you think a medium format neg may be better? And Shannon, the
advantage that jumps out at me with a neg for the enlarger is the ability to
make prints of various sizes from the same output? If that is requirement at
all and you can also have a positive made and make your own contact neg
later. 

Eric Neilsen Photography
4101 Commerce Street, Suite 9
Dallas, TX 75226
214-827-8301
www.ericneilsenphotography.com

SKYPE ejprinter

-----Original Message-----
From: pure-silver-bounce@xxxxxxxxxxxxx
[mailto:pure-silver-bounce@xxxxxxxxxxxxx]
On Behalf Of Mark Blackwell
Sent: Saturday, January 24, 2009 10:12 AM
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: having digital negatives made

First I think we need to get Shannon to clarify if a contact print is the
goal, or a negative is needed to use in an enlarger. With a contact print
there may be some other options, but frankly a digital negative with a a
film recorder would be best. Unless advised otherwise by the lab, or the
enlarger wouldn't accept a 4x5 or don't have something needed to print 4x5,
I'd personally use this as a test.

Id get a digital negative of the same file both as a Medium Format negative
and a 4x5 negative and see first hand which project and printed better in my
workflow and methods.


--- On Sat, 1/24/09, Eric Neilsen Photography
<ej@xxxxxxxxxxxxxxxxxxxxxxxxxx> wrote:

> From: Eric Neilsen Photography <ej@xxxxxxxxxxxxxxxxxxxxxxxxxx>
> Subject: [pure-silver] Re: having digital negatives made
> To: pure-silver@xxxxxxxxxxxxx
> Date: Saturday, January 24, 2009, 10:04 AM
> Better is such a loose term. The newer printers give you
> better results with
> the ABW setting than the 2200. However, if silver prints
> are your goal you
> may be better off going with a film negative made with an
> LVT. Not all
> providers of LVT will or can go up to anything bigger than
> 8x10. Some of it
> depends on the paper that you chose and whether a contact
> neg is a good
> choice.. You also need to learn how much sharpening to add
> to your film to
> make it look right, etc. It is not just a slam dunk thing
> where you provide
> a file and it is perfect first time around. You may want to
> create a file
> with 4 4x5 on a single 8x10 layout and see what adjustments
> work best. ONLY
> deal with a lab that can tell you what your RGB # will
> translate to in real
> density to your negative. And just like with shooting and
> exposing you can
> get absolutely perfect target numbers but they will be
> really close. 
> 
> 
> 
> Eric Neilsen Photography
> 4101 Commerce Street, Suite 9
> Dallas, TX 75226
> 214-827-8301
> www.ericneilsenphotography.com
> 
> SKYPE ejprinter
> 
> -----Original Message-----
> From: pure-silver-bounce@xxxxxxxxxxxxx
> [mailto:pure-silver-bounce@xxxxxxxxxxxxx]
On Behalf Of
> Shannon Stoney
> Sent: Saturday, January 24, 2009 8:42 AM
> To: pure-silver@xxxxxxxxxxxxx
> Subject: [pure-silver] Re: having digital negatives made
> 
> My enlarger can go up to 4x5. (the 8x10 enlarger is broken
> right now.)
> 
> My ink jet printer is an Epson 2200, but I have access to a
> 2400. In 
> the past my efforts to make digital negatives didn't
> work out very 
> well, but maybe I can try again.
> 
> My process is silver. :-) (Although in the past I did do
> those other 
> processes you mention.) My paper scale is 1.2.
> 
> So, you are saying that it is better to make a negative for
> enlarging 
> than one for contact printing if possible?
> 
> --shannon
> 
> 
> ere.
> 
>
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