It sound good, but I'm worried about trapped humidity. Regards Ralph W. Lambrecht On 12/31/04 10:43 PM, "Peter De Smidt" <pdesmidt@xxxxxxx> wrote: > > Ryuji Suzuki wrote: For those who give proper (which I mean very close to > thepossible best) processing to prints, the expected action of archival > toning is to protect image forming grains from deterioration due to > environmental pollutants. > Would encapsulating the mat board and print be a good way to protect from > environmental pollutants? I once read that if you want to put a print in a > bathroom or kitchen, that you should frame the dry-mounted print with glass > as the backing board, instead of using archival corrugated board. You then > band the edge of the glass, mat board, print, mat board, glass sandwich with > aluminum foil, which is then taped (with Mylar tape) to form a vapor > barrier.The extra glass would add weight and cost, and one would have to be > careful that the tape doesn't peek out from under the frame. Does this > soundlike a viable way to minimize print deterioration due to environmental > factors? > > -Peter De Smidt > > ============================================================================== > =============================== > To unsubscribe from this list, go to www.freelists.org and logon to your > account (the same e-mail address and password you set-up when you subscribed,) > and unsubscribe from there. ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.