Why the Epson 4800? an odd choice for every one of those sold they sell several hundred 3800's by far the standard of the industry right now for Just over a thousand including inks. Plus the savings in shipping. Its far more compact. mark@xxxxxxxxxxxxxxxx Mark William Rabiner > From: ERoustom <eroustom@xxxxxxxxxxx> > Reply-To: <rollei_list@xxxxxxxxxxxxx> > Date: Sat, 7 Jun 2008 09:33:53 -0400 > To: <rollei_list@xxxxxxxxxxxxx> > Subject: [rollei_list] Re: Digital Advice > > Your price is not far off at all Marc, but it assumes a sudden > decision to enter the profession, or the hobby on a professional scale. > > Prices off the net (Apple, Amazon and Adorama): > iMac (with all the frills) $2,199.00 > Epson Pro 4800 $2,561.00 - Inks $600 > Canon EOS 5D (full frame) with 24mm 50mm 85mm 24-105mm (all L glass) > $7,299.75 ($7,049.75 for the comparable FILM body and same lenses) > Adobe CS3 Suite $1,799 > Apple Aperture $179.99 > Total: $15,137.75 > Another $2000 can easily be spent on incidentals, back up hardware, > luggage, memory, etc. > > Add a good film scanner, film and processing costs, and film is > actually more expensive. As a professional you will still need all > the above. > > A recent photo of my brother's two chihuahuas on the cover of the New > Bedford Standard Times was taken by the staff photog with his cell > phone. I couldn't tell the difference when I saw the printed photo in > the paper (5x7). How's that for affordable professional gear? He took > the picutre on Sat. morning, and the cover of the Sunday or the > Monday had it. Could I match that with film? Since the quality was in > the narrative not the medium, what advantage would analogue have? He > got the shot, and made the front page - what more could anyone ask for? > > For the social snap shooter, most everybody who would use a camera > (kids, parties, visits, tours) an investment of around $300 or less > ($900 on the high end) buys a very good p&s digital which will last > for several years, and do everything their film cameras used to do > and more. I always ask about storage and review, and I think they're > on very shaky ground there, but 95% of those shots aren't kept, > they're enjoyed for some time, shared, and then forgotten. I know > some academic publications that ask for images of at least 5MP which > most small cameras have now. Documentary work can be done for > publication with a digital p&s, and it fits in seamlessly with > contemporary "workflow". > > "If I really limited myself I could get by with one film camera and > three lenses, and do better work for much less than digital." > equals > "If I really limited myself I could get by with one digital camera > with a zoom, and do better work for much less than film." > > For anyone who wants to combine constant learning with talent, > discipline, patience, and a slow hands-on demanding process, that > asks a good deal (in terms of space, time and attention span) of its > practitioner and audience, and enjoy the limitless wonder of > mechanical gadgets, there's film. Thank Goodness. It's not about cost. > > E. > > > > On Jun 6, 2008, at 11:20 PM, Peter J Nebergall wrote: > >> Bravo! >> >> Digital is getting better, but it is about convenience. Naturally >> replacing the polaroid, the instamatic, the plastic zoom autofocus >> 35mm >> p&s, and filling a niche for the "gotta get it now" boys, folks who >> live >> on the internet, and those who haven't learned (& never will) that >> "virtual reality" ISN'T, digital is their toy. What can they do >> that I >> can"t with my Leica IIIC? Computer animation? >> >> I live near the Univ of Missouri J-school. I'll go to events with 2 >> Contax IIs and a Super Ikonta, and kick their digital butts. Its >> about >> skill and experience -- and digital is changing so bloody fast, can >> anyone master that medium? >> >> Peter Nebergall >> >> On Wed, 28 May 2008 22:43:15 -0400 Marc James Small >> <marcsmall@xxxxxxxxxxx> writes: >>> Allow me to whine here as I have whined for >>> years: a solid digital experience takes a LOT of >>> money upfront and a LOT of money every year to keep up with the >>> Jones's. >>> >>> Mark Rabiner sagely commented about the >>> differences between results in digital b&w >>> obtained from conventional cartridges on >>> conventional printers and those obtained with >>> special cartridges on high-end printers. Right >>> on, my friend, but you have just jacked the price >>> up by a factor of several hundred if not a thousand percent. >>> >>> Others have been disputing the qualities of >>> higher-end digital cameras though I have been >>> amused to note than none have yet suggested the >>> Leica M8 with its apparent catalogue of >>> woes. (Trust me, if I won the Mega-Millions >>> Lottery last night, I'd buy an M8 and hire Mark >>> or Austin to teach me how to use it, and make it >>> worth their while, but it seems that it a piece >>> of remarkable capability which has a learnig >>> curve steeper and nastier than the North Face of >>> Everest, placing it on par with Photoshop.) >>> >>> Again, to do digital properly, it costs Big >>> Bucks. Thousands for an appropriate >>> printer. Thousands for the specialty dies and >>> the specialty rag papers. Thousands for a camera >>> body, Thousands for the newbie lenses now >>> cropping up. Thousands more for the new computer >>> you need, and thousands for the 18 extra >>> hard-drives necessary to process >>> everything. Then $899 for the latest version of >>> Photoshop, and $2,750 for a workshop in Boca >>> Raton (plus the travel costs of $3,750) to learn how to use it. >>> >>> And, next year, you have to buy new and sell off >>> and who will pay you for last year's printer or >>> thousand-dollar cartridges or last year's Photoshop? >>> >>> So, by my calculations, it would take around >>> $17,500 to pick up a really competitive digital >>> kit, with an annual cost of around $5,000 or so >>> to keep up with the Jones's. Six or seven years >>> back, Bob Shell and I had a discussion on this >>> List and my estimates were then around $30,000 >>> for a start-up cost and $12,000 annually. Bob >>> didn't argue with my figures but sternly told me >>> to suck up and pay the freight. >>> >>> I spent forty years accumulating the perfect >>> analog kit for me, a mixture of Contax RF and >>> Leica RF and Roleiflex TLR gear with some exotica >>> such as Retinas and a Werra III RF. I picked up >>> a full darkroom kit including two great enlargers >>> with great lenses, APO-Rodagons on the Beseler >>> 23-CXII. I never could afford a JOBO but I had >>> the rest, Kindermann tanks and Hewes reels. And >>> then reality went and rained on my parade and >>> digital came out. Argh. And I cannot comprehend >>> Photoshop 5, now eight years or so old. I do >>> miss the days when I could mix EP-2 color >>> negative chemistry from scratch, but, now, that >>> was in the longago though to me it is only twelve or fourteen years >>> back. >>> >>> In any event, to do digital RIGHT costs a lot of >>> money and will continue to cost money. Some >>> months back, to be fair, I came across the >>> plaints of a professional photographer in the >>> 1920's who said the same and the prices he set >>> out were, adjusted for inflation, on a par with those I am >>> suggesting. >>> >>> We are really turning into three or more worlds: >>> >>> -- pro digital photographers >>> -- pro chemical photographers >>> -- advanced (VERY rich) digital photographers >>> -- advanced chemical photographers >>> -- digital snapshooters >>> -- chemical snapshooters: when you meet such, >>> get their name and address, as they might well be the last to be >>> recorded. >>> >>> To do digital correctly costs huge >>> monies. Analog was nothing like this in my lifetime. >>> >>> Pace Richard Knopppow, but I do own a Baby Speed >>> Graphic which I had overhauled back in 2002 but >>> have never used due to an absence for >>> film. Maybe I ought to fuggedaboutit (a term >>> invented, I believe, by Studs Terkel but picked >>> up and popularized by the late Herb Caen in the >>> San Francisco CARBUNCLE; Caen was the father of >>> three-dot journalism) and just stick with chemistry. >>> >>> I lack access to the sort of funds you folks toss >>> about as a norm, and I suspect that this is true for others on the >>> List. >>> >>> Marc >>> >>> >>> msmall@xxxxxxxxxxxx >>> Cha robh bàs fir gun ghràs fir! >>> >>> --- >>> Rollei List >>> >>> - Post to rollei_list@xxxxxxxxxxxxx >>> >>> - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' >>> in the subject field OR by logging into www.freelists.org >>> >>> - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with >>> 'unsubscribe' in the subject field OR by logging into >>> www.freelists.org >>> >>> - Online, searchable archives are available at >>> //www.freelists.org/archives/rollei_list >>> >>> >>> >> ____________________________________________________________ >> Beauty Advice Just Got a Makeover >> Read reviews about the beauty products you have always wanted to try >> http://thirdpartyoffers.juno.com/TGL2141/fc/ >> JKFkuJi7UzupmI2A24rWWY8AH4b2xisNxBfiWpXpI7IhnCWYAFGyE9/ >> --- >> Rollei List >> >> - Post to rollei_list@xxxxxxxxxxxxx >> >> - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' >> in the subject field OR by logging into www.freelists.org >> >> - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with >> 'unsubscribe' in the subject field OR by logging into >> www.freelists.org >> >> - Online, searchable archives are available at >> //www.freelists.org/archives/rollei_list >> > > --- > Rollei List > > - Post to rollei_list@xxxxxxxxxxxxx > > - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' > in the subject field OR by logging into www.freelists.org > > - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with > 'unsubscribe' in the subject field OR by logging into www.freelists.org > > - Online, searchable archives are available at > //www.freelists.org/archives/rollei_list --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with 'unsubscribe' in the subject field OR by logging into www.freelists.org - Online, searchable archives are available at //www.freelists.org/archives/rollei_list