Hi, Walt and fellow list members, Walt, you wrote expressing consternation at the thought of converting NLS tapes in real time, and you expressed some concern regarding the legal issues of so doing. First, where the legal issues are concerned, I'll hold fast to the fair use provisions of the copyright act, and if that fails I'll vehemently declare that I'm using a specialized format, since I compress the heck out of everything I listen to. <smile> Don't be offended, Walt, I do appreciate your concerns regarding the legality. But I really think I'm probably ok. I've a friend who works for the Missouri attorney general's office; I'll see him tomorrow and actually ask his perspective. I think fair use may help me here a little though. Now, Walt, you and I met once, I believe, several years ago, if you're the same Walt Smith I'm thinking of. Even if you're not, and we've never met, I'm still crushed...devastated...emotionally destroyed...reaching for my Kleenex and praying I won't be electrocuted while weeping into this keyboard. Could you truly think me so incredibly stupid as to think that converting NLS tapes in real time would be to my advantage? Walt, trust me, if I had to convert in real time, I'd just listen. My critics and detractors, of whom there are doubtless many, will tell you that I have a vacant look about me much of the time; Any one of my four daughters will sign affidavits attesting to my cluelessness. Heck, we could even find total strangers who would say perfectly scandalous things about my unbelievably low IQ, especially if we were to slip them five or ten bucks to do so. But how, Walt, oh how could you assume that I would be so incredibly dumb as to do this in real time using an NLS four-track machine? It's actually much more fun and edgy than that, trust me; it involves reversing tracks and resampling data and recording dual channels at break-neck speeds! You can double, triple, even quadruple the speed of the tape and get a perfectly pitched MP3 file out the back end. My steps are truly forthcoming on how to do this. I've been doing it incessantly for a week now with total success, so I'm' ready to truly draft the steps. I wanted to test everything and make sure I really knew what I was doing before I wrote. I promise, despite the sworn affidavits and verbal testimony of others, I'm truly not so dumb as to think converting those tapes in real time is somehow advantageous. <smile> Someone else asked about the size: I've converted these tapes to 24 KBPS MP3 files, and the average size of one track of a magazine is around 8 meg. Once the Book Port transfer software works its magic, that 8 meg file compresses down to about three megs, and I personally have no problem with the quality of sound I'm getting. My steps will be on the list sometime Sunday morning, and remember, these are very specific to Sound Forge. Thanks again for expressing your concern and for writing to ask why anyone would want to do what I'm doing. Let me just very publicly say for the record that I'm not sharing these files, and their average life on my PC is about 36 hours; their average lifespan on my Book Port is only slightly higher than that. Additionally, I'd not likely share my files because I do get a bit of crosstalk, since I'm using a stereo tape deck to do this and I'm recording dual channels at once and at high speeds. So I know I'm relatively tolerant of crosstalk in a file that I'm going to read once and blow off. Others would probably be less so. Kindest Regards, Nolan