Thanks Richard. Its clear to me now (pending a few more rolls) that the wind mechanism is absolutely fine wrt to 'measurement' of the frame advance - if I take care to move the crank back to the click/ lock I'm confident I won't get improperly spaced frames. However whats not too hot is the fact that the shutter seems to be enabled somewhat short of the full crank. I guess its unlikely that this is an FX feature and more likely a problem specific to my camera. Any idea how the shutter was triggered (or rather synched to the rewind) on the previous or current 'flex generation? I could probably live with this flaw but if its a simple mechanism a repair probably wouldn't be too expensive. On 12/14/05, Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote: > > > ----- Original Message ----- > From: <chatanooga@xxxxxxxxx> > To: <rollei_list@xxxxxxxxxxxxx> > Sent: Monday, December 12, 2005 5:56 AM > Subject: [rollei_list] Re: 2.8FX shutter cock and film > advance 'synchronisation' > > > Thanks for the suggestion. Yes I would have certainly > aligned the arrows > correctly. I should emphasise too that out of the 3 rolls > that I shot 2 were > fine. Will obviously be trying a few more rolls (taking > care to crank to > the click) but I think my question may well have been better > phrased by > asking is the procedure for next frame advance 'idiot > proof' - assuming what > I have described is normal behaviour then it is not. And > thats fair enough! > > I am not sure of the winding and metering arrangement in > the FX. In a Rolleicord or Standard Rolleiflex the start > position is determined either by the arrows or by a red > window where the numeral 1 is set. The metering is done by a > lever with a toothed wheel on it. The displacement of the > lever is what controls the spacing. This is also true of the > Rolleiflex. If the start mark is misaligned it should affect > only the position of the first frame, not frame spacing. > Some auto-stop cameras do not meter the film, they assume > an average increase in diameter of the take up spool as the > film is wound. Examples are the roll film adaptors for > Graphic and Graflex cameras. I think the Ikonta and > Super-Ikonta also use this system. On these mis-setting the > start mark may result in the spacing becoming progressively > wider or narrower but in no case will it result in an > overlap or a large variation from frame to frame. > Even though this is a relatively new camera I still think > something is cocked up in the wind mechinism. > > --- > Richard Knoppow > Los Angeles, CA, USA > dickburk@xxxxxxxxxxxxx > > --- > Rollei List > > - Post to rollei_list@xxxxxxxxxxxxx > > - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' > in the subject field OR by logging into www.freelists.org > > - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with > 'unsubscribe' in the subject field OR by logging into www.freelists.org > > - Online, searchable archives are available at > //www.freelists.org/archives/rollei_list > >