Maybe that's why pyrogallol is popular with some landscape photographers, in light of the recent discussion here of the effect of the olive stain on VC papers. John S =========================== At 06:27 AM 16/02/2005, you wrote: >So, even with a roll-off type type developer like Microdol X, Tri X320 in >5x4 is not going to be suitable for landscape work on anything but the >dullest day. That was a near miss, thanks. Looks like I'm down to the Tmax's >and Acros that are available in 120 and 5x4 if I'm going to give Ilford the >heave-ho. > > >On 15/2/05 12:55 am, "Richard Knoppow" <dickburk@xxxxxxxxxxxxx> wrote: > > > > > ----- Original Message ----- > > From: "Barrie Bunning" <barrieb@xxxxxxxxxxxxxxxx> > > To: <pure-silver@xxxxxxxxxxxxx> > > Sent: Monday, February 14, 2005 2:06 PM > > Subject: [pure-silver] Re: Tri X film versions and sizes > > > > > >> Greetings Chris; I have been a ' Tri-X ' user for many , > >> many > >> years, The 400 Tri-x is basically an amateur > >> emulsion, good but the > >> 320 is the ' Pro ' film has a much better sensitivity > >> curve AND has been > >> the stock film for Professionals world wide for years. > >> Being an 'Old ' > >> type emulsion it has a lot going for it , in my view it is > >> worth making ONE > >> of your standard film types. Cheers BarrieB. > >> At 07:05 AM 15/02/2005, you wrote: > >>> In my quest to find my film of choice and after comparing > >>> Tmax 400 with TriX > >>> I plumped on TriX. I then downloaded the latest Kodak > >>> datasheets and found > >>> to my amazement, two Tri X emulsions, TriX 400 and 320, > >>> which are available > >>> in different formats. I cannot begin to understand the > >>> weird reasoning > >>> behind this but would welcome any observations between the > >>> two emulsions. > >>> > >>> It would also seem that TriX 400 is not available in 5x4! > >>> > >>> -- > >>> Regards Chris Woodhouse > >>> > > I disagree with the characterizations of the two > > emulsions. Tri-X roll film has a medium toe, long straight > > line characteristic suitable to general photograpy. The > > sheet film has a characteristic with rising contrast > > throughout. It certainly is made for "professional" use but > > is specified for studio use where flare can be controlled. > > That is because shadow contrast is comparitively low and any > > flare may lower it too much. Tri-X sheet film is useful > > where you want exagerated highlights. In comparison with a > > standard curve film like roll Tri-X or with 400 T-Max the > > mid gray tones will be rendered darker for a given highlight > > and shadow point. This is neither better or worse but may > > not be suitable for some subjects. Ilford HP-5, if it is > > still available, has a more nearly straight line curve as do > > the T-Max films. Fuji Acros is another long straight line > > film. > > > > > > --- > > Richard Knoppow > > Los Angeles, CA, USA > > dickburk@xxxxxxxxxxxxx > > > > > ============================================================================== > > =============================== > > To unsubscribe from this list, go to www.freelists.org and logon to your > > account (the same e-mail address and password you set-up when you > subscribed,) > > and unsubscribe from there. > > > >-- >Regards Chris Woodhouse > > > >============================================================================================================= >To unsubscribe from this list, go to www.freelists.org and logon to your >account (the same e-mail address and password you set-up when you >subscribed,) and unsubscribe from there. ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.