> >> > I disagree with the characterizations of the two >emulsions. Tri-X roll film has a medium toe, long straight >line characteristic suitable to general photograpy. The >sheet film has a characteristic with rising contrast >throughout. It certainly is made for "professional" use but >is specified for studio use where flare can be controlled. >That is because shadow contrast is comparitively low and any >flare may lower it too much. Tri-X sheet film is useful >where you want exagerated highlights. In comparison with a >standard curve film like roll Tri-X or with 400 T-Max the >mid gray tones will be rendered darker for a given highlight >and shadow point. This is neither better or worse but may >not be suitable for some subjects. Ilford HP-5, if it is >still available, has a more nearly straight line curve as do >the T-Max films. Fuji Acros is another long straight line >film. Do you mean HP5+? or was there an old film called HP5? Also, if you mean HP5+, do you think it's better for out of the studio use than say Tri-X 320 sheet film? I have used it a lot and I like it a lot, but I don't know exactly how the curves compare. --shannon ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.