The next big challenge for the world is to learn how to slow down...and do it too... Love, Snoopy On 10/01/2010 11:49 PM, Eric Nelson wrote: > I could see that happening via development but with the hard dramatic > sunlight, > all those bumps and so on will cast shadows. Discoloration wasn't too bad. > Ack, > it's hard to talk about this stuff! > > It reminds me of a gig w/a shooter I used to print for in town who sent me > some > medium format he'd shot of a baby. I processed & proofed it, & eventually > made > some prints for him. > There were these bumps on the baby's nose etc. that, from what I understand, > show up on some newborns and he didn't notice it when he shot it, guessing by > his reaction. He started blaming the makeup artist for not covering them up. > I > told him it's texture and unless she used silly putty, she wouldn't have been > able to cover that! He was a piece of work. > > The turn around time is what really did film in professionally and is why few > pros are seen around here anymore. =( Agencies want it now and that's that. > I > had one pro client shoot film a couple years back because he sold his client > on > the idea and liked me too I guess. I know that his client was waiting > impatiently for the proofs and once the proofs were in their hands, they > still > didn't have anything on their screens they could work with. > e > > > > > ________________________________ > From: BOB KISS <bobkiss@xxxxxxxxxxxxx> > To: pure-silver@xxxxxxxxxxxxx > Sent: Fri, October 1, 2010 3:41:01 PM > Subject: [pure-silver] Re: Skin & Film, was Film Having A "Resurgence" > > > DEAR ERIC, > When I want smooth skin I don’t use either PMK or Pyrocat HD > because > the HD created by the edge effects in either of those developers will > exaggerate > any skin defects. A dev that doesn’t boost edge effects, hence definition, > might be better. > Though I shoot all my personal and fine art work on film, I > simply > cannot compete for commercial jobs shooting film. Clients just won’t pay for > the film & processing any more and expect the rapid completion of work > possible > with digital. That said, I often have to clean up skin when doing any kind > of > close-up or portrait. It takes significant work selecting the skin areas, > deselecting the eyebrows, eyes & lashes, lips & mouth, etc on a separate > layer. > Then I soften the layer containing only the skin and blend it proportionally > with the background layer to smooth the skin texture without loosing the > sense > of sharpness given by those deselected areas. > > Before anyone jumps on me about discussing digital image > processing, > I do the same thing with images originated on film which I scan. Clients > want > digital files regardless of how the image is captured. So, though not “pure > silver”, definitely hybrid. > > CHEERS! > BOB > > > -- "Ceterum censeo, digitalem esse delendam" ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.