[pure-silver] Re: Plenachrome film development

  • From: janet ness <nessj@xxxxxxx>
  • To: pure-silver <pure-silver@xxxxxxxxxxxxx>
  • Date: Thu, 3 Feb 2011 22:36:41 -0800

Thanks everyone for the advice.  We developed the film in Xtol tonight and got 
a few fogged, somewhat fuzzy images. The student even printed a couple.  We 
have no idea who the subjects are or where they were taken, but they were some 
family's snapshots.  The film came from a Spartus Full-Vue, a reflex-style 120 
box camera.  It was exciting to get something printable, and not knowing who or 
what was on the film added to the fun.

Janet Ness



From: kwhart1@xxxxxxxxxxxx
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: Plenachrome film development
Date: Thu, 3 Feb 2011 21:30:18 -0500








I can second Film Rescue's services. I have met 
Greg Miller, the owner, and toured his facility. He has told me a little about 
his processes and procedures- but ony in general terms! If there is any chance 
of an important image on the film, you may want to consider consigning it to a 
professional. Perhaps this could make it more interesting for the student: 
doing 
some digging into the history of the camera to see what could possibly be on 
the 
roll.

  ----- Original Message ----- 
  From: 
  mark@xxxxxxxxxxxxxxxxxx 
  To: pure-silver@xxxxxxxxxxxxx 
  Sent: Thursday, February 03, 2011 10:57 
  AM
  Subject: [pure-silver] Re: Plenachrome 
  film development
  

  Janet   You may not know what is on this film, it could be nothing, 
  but it also could be a family heirloom.  Now it is a bit expensive, but 
  to teach that the service and techniques are available you might want to 
think 
  about Film Rescue.  www.filmrescue.com  On a student's 
  budget it might be tight, but its only a single roll.  IF anyone can get 
  anything off that roll of film, I would bet from their reputation its them. 
   Frankly you might be surprised.
  

  I once had a roll of film when I first started more seriously in 
  photography fall out of a pocket somewhere.  It rode around in boxes, 
  stored in unairconditioned storage rooms in the south and un heated storage 
  rooms in the north.  The roll of film showed up again 10 years later, 
  which I processed then to find it was a roll I had taken on the first date 
  with the now wife.
  

  

  
    -------- Original Message --------
Subject: 
    [pure-silver] Plenachrome film development
From: janet ness <nessj@xxxxxxx>
Date: Wed, February 02, 
    2011 9:20 pm
To: pure-silver <pure-silver@xxxxxxxxxxxxx>


    
    I have a student in my darkroom class who will be bringing in to develop a 
    roll of Plenachrome 120 film that was in an old box camera he just 
    purchased.  Since this film is 50 years old or more, I expect it is 
    fogged.  Would it help to add some Benzotriazole solution? I have some 
    on hand and the container says that it is used for paper, but could it help 
    the film?  We have no idea how long to develop the film in Xtol, but I 
    expect we can't overdevelop it.   We don't expect this film will 
    yield much, but what the heck, we have to try.

Janet 
    Ness


  

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