On 2004/04/04, at 4:32, Scribe1865@xxxxxxx wrote: > In a message dated 4/3/2004 6:46:49 AM Eastern Standard Time, > omarkusto@xxxxxxxxx writes: > Yes, I reflected later that it might have to do also > with cherishing individuality, not only with women's > liberation. > On one level, _Lolita_ works as a study of an artist understanding a > character, bridging the gap between creation and creator, and by > extension, one person > recognizing another. > Many of Nabokov's novels are about this recognition of the other. > Consider > _Despair_ where the narrator never comes to terms with the fact that > the person > he has chosen as his perfect double doesn't look like him at all. Or > _Invitation to a Beheading_ which turns on the protagonist's > recognition that he has > created his own jail and execution. > > The greatest moment of recognition Humbert gets, in my opinion, is at > the > very end of the book, when he drives up a mountainside and hears the > voices of > school children at play echoing up from the valley below. Then he has > a glimpse > of the life he has stolen from Dolores Haze, when he made her into > Lolita. This is, IMHO, a reading that Azar Nafisi would find congenial. _Invitation to a Beheading_ also pops up several times in _Reading Lolita in Tehran_. John L. McCreery The Word Works, Ltd. 55-13-202 Miyagaya, Nishi-ku Yokohama, Japan 220-0006 Tel 81-45-314-9324 Email mccreery@xxxxxxx "Making Symbols is Our Business" ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html