[pure-silver] Re: Toner for chocolate brown tone
- From: "Tim Rudman" <tim@xxxxxxxxxxxxxxx>
- To: <pure-silver@xxxxxxxxxxxxx>
- Date: Sun, 18 Feb 2007 00:04:32 -0000
Hi Aggie
just home from a trip and picked up this thread. This is the basis of
'Chinese prints' but that process goes further by using strong bleach. If a
strong enough bleach (like iodine) it ultimately gives the bright orange of
selenium after removing all the black silver, but there are many colours in
between (see my toning book, pages 52/53)
Tim
_____
From: pure-silver-bounce@xxxxxxxxxxxxx
[mailto:pure-silver-bounce@xxxxxxxxxxxxx] On Behalf Of Agnes
Sent: 15 February 2007 22:04
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: Toner for chocolate brown tone
easiest way to get the nice chocolate browns in toning is a two step
process. First selenium tone it as you would normally do. Then place it in
a tray (yes dunk the complete sheet in the tray) of dilute potassium
ferricynide. let it sit there for a few minutes. It will turn a funky
orange color. Do not let this throw you. to stop the action rinse well
then put it in a tray of fix. Wash as you would normally do. Once it comes
out of the wash (I would do mine for 40 to 60 minutes in running water, I
also used fiber paper) It would look a little washed out but a darker
brown. When it dries, it is the most lucious chocolate brown tone.
Experiment with some test prints first so you can get the desired effects
down for your particular needs. It really is easy. I stumbled on it after
a Bruce Barnbaum workshop where he warned us not to do selective bleaching
after selenium toning.
Aggie
Robert Krawiec <robk64@xxxxxxxxx> wrote:
I've never really been able to get the chocolate
browns with polysulfide toners, so would be interested
to know if their toner works.
Also try lith printing on Bergger warmtone or Forte
Polywarmtone and toning that in selenium.
Rob
--- Jeffrey Thorns wrote:
> Just an FYI - I emailed the Formulary to see what
> they would recommend. Here is their reply;
>
> ***************************************
>
>
> Hi Jeffrey,
>
> You are in luck I have just the toner for you. I
> have attached the instructions for the
> Polysulfide toner. It will give you the warm
> chocolaty browns that you are looking for.
> Let me know if you have any questions.
>
> Thanks
> Sherry
>
>
> ----- Original Message ----- From: "Jeffrey Thorns"
>
> To: "Photographer's Formulary"
>
> Sent: Tuesday, February 13, 2007 1:36 PM
> Subject: Re: Question about toner
>
> >The lead-gold combination sounded interesting - no
> other reason.
> >
> >I'm really looking for a toner that yields a
> >chocolate brown tone - not like sepia at all.
> >Not reddish. Not purple.
> >
> >I remember printing on the old Agfa Portriga
> >paper - very nice warm tone. Beautiful paper. I
> >can't get that paper anymore, so I am looking to
> >toning to give me that feel. Ilford MG RC
> >Warmtone is a nice paper, but needs toning to
> >push it into a subtle brown color.
> >
> >Thank you for your advice.
> >
> >>Hi Jeffrey
> >>I am not sure about the paper you are planning
> >>to tone and why you are looking at the POP Lead
> >>Toner. That toner is made for POP paper. What
> >>are you trying to accomplish with the toner?
> >>Sherry
> >>
> >>
> >>----- Original Message ----- From: "Jeffrey
> Thorns"
> >>To:
> >>Sent: Sunday, February 11, 2007 10:22 AM
> >>Subject: Question about toner
> >>
> >>>Would your FORMULARY POP LEAD-GOLD COMBINED
> >>>TONER-FIXER work fine with RC paper?
> >>>
> >>>I use a lot of the Ilford MG RC Warmtone paper
> >>>and was wondering if the long time in this
> >>>fixer/toner would be too long for an RC paper.
> >>>
> >>>
> >>>Thanks
> >
>
>
> Attachment converted: Pyro:06-0190.pdf (PDF /<IC>)
> (0002F350)
>
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