Robert Lilley asked: Subject: [LRflex] Re: Future R system > Alex, > I have been caught up in the Medium Format/Large Format debate as well. I > own several MF and LF cameras. I have lugged all this equipment about in > the field. Its not only about cameras and lenses, its also about getting > a large camera and it's film to the scene and keeping it motionless when > you get there. I have invested quite a bit of money in tripods, heads, > backpacks and other ancillary equipment to do this. Every time I am in > the field I am reminded of this 1950's film about a bunch of peasants who > drag this huge canon over hill and dale to attack a fort. I have > invested in a large darkroom that can handle up to 5x7" without a problem. > But... > > I am starting to wonder if it is really worth it after seeing the pictures > taken with R cameras by this group. I have come to the conclusion that > its not about negative size. It is all about the quality of the lens and > tripping the shutter at the right place and time. I have only a R4 and a > Summicron 2.8 50mm at this point. This combination takes wonderful > pictures. I am seriously thinking about selling all my LF and MF kit and > buying a complete Leica R system. > > Question is, what do I buy? Hmmm... Hi Rob, Simple answer...with a question? "WHAT DO YOU SHOOT?" If it's sports it's long glass from 280mm and longer, a 15mm just in case, the 80-200 zoom, just in case, the Noctilux... just in case? And the list goes on. However it still comes down to one question......... "what do you shoot and what do you like to shoot?" Answer these, then we can go from there. I've been an R and M user since they came out, other than the first SLR I never bothered with... no loss! My usual body count was always 3 motor driven bodies always... Sl, SL2, R4, R7, R8 being the last. I've switched to CANON digi camera bodies and lens adapters. Those who complain about lack of auto-focus, read my lips.... "GET OVER IT!" If you are a LEICA user it's always been manual! And the stopped down metering, another no big deal, get over it and start shooting. In many cases I've nearly always shot with the widest possible aperture and fastest shutter speed. WHY? Well it helps clear the crap out of backgrounds and helps with the possibility of camera shake by using high shutter speeds. Yep I know others cringe at this description but, yes I do shoot stopped down when the photo situation calls for it. Other wise it's wide open or a stop or two down. Exposures were always just ducky! :-) As a photojournalist and a non-techie type I just bought Leica glass in relation to the type of photography I was shooting, documentary, magazines and commercial assignments. And because the LEICA GLASS is the best damn image cutting glass on the market. Oh I know I'll get arguments, not worth my time to listen to nor reading! Simply because my comments about LEICA stuff, good, bad or ugly. Are given after being a professional photojournalist with 60 years experience and still shooting! Not the manual reading opinions of techie types. My Canon digital camera with the 280mm 2.8 shooting baseball and other sports produces wonderful images that look smashing at print sizes usually made filling 13X19 size Epson paper. So mon mi, answer the question.... "what do you or are you shooting" then maybe an answer of glass can be offered. For all those hand wringing crying about not having a digital R body, "GET OVER IT AND MOVE ON!" Before most of us ever see one from Leica other than the $25,000 or whatever price the S line cost, we'll all be in camera heaven. :-) cheers, Dr. ted tedgrantphoto.com ............ have a look at some samples and all LEICA. ------ Unsubscribe or change to/from Digest Mode at: http://www.lrflex.furnfeather.net/ Archives are at: //www.freelists.org/archives/leicareflex/