Dr. Ted, I'm an amateur landscape kinda guy. I managed printing and graphics most of my life and was of the generation that brought digital to graphics, etc. I have stayed analog in photography perhaps because it wasn't like work - sitting at a desk behind a computer and there is nothing like a real silver print. Why is it that every camera shop I talk to tries to convert me over to digital? Today I talked to a Leica dealer in New Jersey about R cameras and lenses. Wanted to see if they had any lenses in stock, etc. I was asked why I wanted to "mess with all that old stuff for". -=sigh=- Rob On Aug 6, 2010, at 12:33 PM, tedgrant@xxxxxxx wrote: > > Robert Lilley asked: > Subject: [LRflex] Re: Future R system > > >> Alex, >> I have been caught up in the Medium Format/Large Format debate as well. I >> own several MF and LF cameras. I have lugged all this equipment about in >> the field. Its not only about cameras and lenses, its also about getting >> a large camera and it's film to the scene and keeping it motionless when >> you get there. I have invested quite a bit of money in tripods, heads, >> backpacks and other ancillary equipment to do this. Every time I am in >> the field I am reminded of this 1950's film about a bunch of peasants who >> drag this huge canon over hill and dale to attack a fort. I have >> invested in a large darkroom that can handle up to 5x7" without a problem. >> But... >> >> I am starting to wonder if it is really worth it after seeing the pictures >> taken with R cameras by this group. I have come to the conclusion that >> its not about negative size. It is all about the quality of the lens and >> tripping the shutter at the right place and time. I have only a R4 and a >> Summicron 2.8 50mm at this point. This combination takes wonderful >> pictures. I am seriously thinking about selling all my LF and MF kit and >> buying a complete Leica R system. >> >> Question is, what do I buy? Hmmm... > > Hi Rob, > Simple answer...with a question? "WHAT DO YOU SHOOT?" > > If it's sports it's long glass from 280mm and longer, a 15mm just in case, > the 80-200 zoom, just in case, the Noctilux... just in case? And the list > goes on. > > However it still comes down to one question......... "what do you shoot and > what do you like to shoot?" > Answer these, then we can go from there. > > I've been an R and M user since they came out, other than the first SLR I > never bothered with... no loss! My usual body count was always 3 motor > driven bodies always... Sl, SL2, R4, R7, R8 being the last. I've switched to > CANON digi camera bodies and lens adapters. Those who complain about lack of > auto-focus, read my lips.... "GET OVER IT!" If you are a LEICA user it's > always been manual! > > And the stopped down metering, another no big deal, get over it and start > shooting. In many cases I've nearly always shot with the widest possible > aperture and fastest shutter speed. WHY? Well it helps clear the crap out of > backgrounds and helps with the possibility of camera shake by using high > shutter speeds. > > Yep I know others cringe at this description but, yes I do shoot stopped > down when the photo situation calls for it. Other wise it's wide open or a > stop or two down. Exposures were always just ducky! :-) > > As a photojournalist and a non-techie type I just bought Leica glass in > relation to the type of photography I was shooting, documentary, magazines > and commercial assignments. And because the LEICA GLASS is the best damn > image cutting glass on the market. Oh I know I'll get arguments, not worth > my time to listen to nor reading! Simply because my comments about LEICA > stuff, good, bad or ugly. Are given after being a professional > photojournalist with 60 years experience and still shooting! Not the > manual reading opinions of techie types. > > My Canon digital camera with the 280mm 2.8 shooting baseball and other > sports produces wonderful images that look smashing at print sizes usually > made filling 13X19 size Epson paper. > > So mon mi, answer the question.... "what do you or are you shooting" then > maybe an answer of glass can be offered. > > For all those hand wringing crying about not having a digital R body, "GET > OVER IT AND MOVE ON!" Before most of us ever see one from Leica other than > the $25,000 or whatever price the S line cost, we'll all be in camera > heaven. :-) > > cheers, > Dr. ted > > tedgrantphoto.com ............ have a look at some samples and all LEICA. > > > ------ > Unsubscribe or change to/from Digest Mode at: > http://www.lrflex.furnfeather.net/ > Archives are at: > //www.freelists.org/archives/leicareflex/ ------ Unsubscribe or change to/from Digest Mode at: http://www.lrflex.furnfeather.net/ Archives are at: //www.freelists.org/archives/leicareflex/