Just watched the chappie trailer now too. Looks like I'll enjoy it. I just wish the main mech design wasn't a blatant rip off of the Patlabor mechs. On 11 February 2015 at 17:58, Stephen Scheidel <gieroadsteve@xxxxxxxxx> wrote: > Is Tarkovksy the guy who makes the rapey horrible movies? > That shit sucks. > > On 11 February 2015 at 11:46, Ilitirit Sama <ilitirit@xxxxxxxxx> wrote: > >> Enter the Void is meh... Could have been a 100 times better if they >> didn't spend ages trying to get the viewer to understand the themes. Good >> if you're on LSD I guess. >> >> Tarkovksy's movies are challenging, mostly because they are in Russian, >> are often very surreal, and deal with difficult themes. Not easy viewing. >> >> The Massive Attack video is Unfinished Sympathy. The one where they >> follow the singer (Shara Nelson) around the city. They used to play that >> and Safe From Harm on Zero Hour Zone on TV4 (who remembers that?). I >> thought you were talking about a movie called Massive Attack hehe. >> >> I liked Gravity. >> >> >> On Wed, Feb 11, 2015 at 11:34 AM, Donaldson, Alasdair < >> alasdair.donaldson@xxxxxxxxxx> wrote: >> >>> I’ve got Enter the Void lying around, but haven’t got around to >>> watching it. Same with Under the Skin. No idea who Tarkovksy is. Just >>> checked IMDB. Nope. Are his films worth watching? I mean from a >>> non-technical perspective. >>> >>> >>> >>> First time I saw the Massive Attack video, I didn’t realise that it was >>> all one shot. I just assumed they’d cut it. I forget what the song was >>> called, but it was more than 5min long. >>> >>> Snake Eyes was an okay film. It wasn’t bad or good… actually can’t >>> remember much about the film. >>> >>> >>> >>> I don’t know if I can be arsed to watch Gravity. Maybe I’ll put it on >>> sometime while I’m reading. The only thing that I’ve heard about Gravity is >>> that it is a very pretty film. No one seems to care about the story or >>> script. That seems like a bit of a fail to me. >>> >>> >>> >>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>> *Sent:* 11 February 2015 11:15 AM >>> >>> *To:* cpt-fgc@xxxxxxxxxxxxx >>> *Subject:* Re: DRE: CTS community mail >>> >>> >>> >>> I haven't seen either, but last year there was Gravity which had a 17 >>> minute opening shot. Under the Skin had shots the seem to be influenced by >>> filmmakers like Tarkovksy. The Protector has a 4 minute long shot (the >>> stair case fight scene). Enter the Void is composed of long shots (about 1 >>> to 2 minutes in length), joined together by psychedelic visuals. >>> >>> In The Sacrifice, Tarkovsky's crew built a special house meant to be >>> burned down in a 6 minute long shot. Toward the end of the shot the camera >>> jammed and the film was ruined. It took them two weeks to refilm it. >>> >>> https://www.youtube.com/watch?v=Mr5cYiRPf3E >>> >>> >>> >>> On Wed, Feb 11, 2015 at 10:55 AM, Donaldson, Alasdair < >>> alasdair.donaldson@xxxxxxxxxx> wrote: >>> >>> It opened at Cinema Nouveau up here. >>> >>> Long scenes are cool. Barring Massive Attack, nothing comes to mind >>> though. Oh, wasn’t the first 10min of Snake Eyes a single shot? >>> >>> >>> >>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>> *Sent:* 11 February 2015 10:46 AM >>> >>> >>> *To:* cpt-fgc@xxxxxxxxxxxxx >>> *Subject:* Re: DRE: CTS community mail >>> >>> >>> >>> Low budget? Yes. And it only opened in 4 cinemas, raking in less than >>> $500k. But it's probably best considered Arthouse, not B movie. >>> >>> You can't not notice the camera work in Birdman. The entire movie, >>> barring 1 or 2 scenes in the beginning is shot in one long continuous >>> sequence. It's obviously an illusion but it's still great to watch. There >>> are scenes where they film in front of a mirror and you can't see the >>> camera. There's a seen where the camera follows Michael Keaton through a >>> busy square in NYC. And a great scene where the camera glides from the >>> theatre rafters to the stage below. >>> >>> >>> >>> On Wed, Feb 11, 2015 at 7:32 AM, lindsey kiviets <lindseyak@xxxxxxxxxxx> >>> wrote: >>> >>> for best gimmick in a film >>> >>> soim guessing if birdman was shot in 30 days , that would make it a low >>> budget B movie? >>> >>> ------------------------------ >>> >>> From: alasdair.donaldson@xxxxxxxxxx >>> To: cpt-fgc@xxxxxxxxxxxxx >>> Subject: RE: DRE: CTS community mail >>> Date: Wed, 11 Feb 2015 05:29:06 +0000 >>> >>> >>> >>> Then I suppose they’d be guaranteed the Oscar. >>> >>> >>> >>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *lindsey kiviets >>> *Sent:* 11 February 2015 7:24 AM >>> *To:* cpt-fgc@xxxxxxxxxxxxx >>> *Subject:* RE: DRE: CTS community mail >>> >>> >>> >>> boyhood - what if the kid died during that 12 years? >>> >>> "rock is overpowered, paper is fine" - scissors >>> >>> ------------------------------ >>> >>> From: alasdair.donaldson@xxxxxxxxxx >>> To: cpt-fgc@xxxxxxxxxxxxx >>> Subject: RE: DRE: CTS community mail >>> Date: Wed, 11 Feb 2015 05:09:25 +0000 >>> >>> I tend to figure that the camera work is only something you notice if >>> it’s done badly. I can’t recall when last I noticed good camera work in a >>> film. >>> >>> Same with most of the things, I guess. It’s only when the music is >>> jarring and detracts from the scene that I actually notice it. >>> >>> >>> >>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [ >>> mailto:cpt-fgc-bounce@xxxxxxxxxxxxx <cpt-fgc-bounce@xxxxxxxxxxxxx>] *On >>> Behalf Of *Ilitirit Sama >>> *Sent:* 11 February 2015 12:50 AM >>> *To:* cpt-fgc@xxxxxxxxxxxxx >>> *Subject:* Re: DRE: CTS community mail >>> >>> >>> >>> Sheesh... apparently the movie was shot in only 30 days. >>> >>> >>> >>> On Wed, Feb 11, 2015 at 12:48 AM, Ilitirit Sama <ilitirit@xxxxxxxxx> >>> wrote: >>> >>> Birdman's camera work is amazing. I haven't been that technically >>> impressed by a movie in a long itme. All the while I kept thinking "I >>> can't imagine how hard it must have been to film this". 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