[bookport] Re: Just a couple of comments.

  • From: "Phil Parr" <philparr@xxxxxxxxxxxxxxxx>
  • To: <bookport@xxxxxxxxxxxxx>
  • Date: Mon, 21 Nov 2005 13:37:24 -0600

   My intention was not to deceive but just a small memory fault. I thought I 
dot it in November 02 but I suppose it was 03 instead.

   Phil Parr. 
 
  ----- Original Message ----- 
  From: Sarah Cranston 
  To: bookport@xxxxxxxxxxxxx 
  Sent: Monday, November 21, 2005 12:06 PM
  Subject: [bookport] Re: Just a couple of comments. 


  Hi Phil,

  I'm curious, how have you had your BookPort for three years, when it came 
onto the market in May of 2003, I believe?  <Smile>

  I use Big Bob at pitch 50, and find that the most comfortable setting for 
listening.  I am a big fan of the DoubleTalk, but I don't use either of the two 
echoing voices.

  Sarah

  -----Original Message-----
  From: bookport-bounce@xxxxxxxxxxxxx [mailto:bookport-bounce@xxxxxxxxxxxxx]On 
Behalf Of Phil Parr
  Sent: Monday, November 21, 2005 11:57 AM
  To: bookport@xxxxxxxxxxxxx
  Subject: [bookport] Just a couple of comments. 


        I have had my book port now for three years plus and I am pleased with 
some features and wonder about some others. Obviously the navigation in a plain 
text book is just wonderful and even in an audio book is not bad. The 
transferring of material from the book port manager to ones unit is even strait 
forward enough for a computer neophyte like my self. I think I would give book 
port a passing grade if I was ask to.

     My only complaint would be the speech engine and I have even gotten kind 
of use to that. I do however wonder about the two voices, I think they are 
called something like, repeating Robert and echo Eddy, you know the ones. Only 
difference I see in them is ones digital repeat is a little faster then the 
other. I suppose my question is just this, does anyone really use either of 
these voices to read material?
     I have settled on perfect Paul at around pitch 65 that seams to be best 
for Me to understand. I would be curious as to what voices others use and at 
what pitch.

     Thanks for your indulgence, an old curmudgeon who's name is, Phil Parr.   

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