Alberto, you need an independent, objective test. Stop worrying about profiling errors and wasting time evaluating results on screen. Get a ColorChecker 24, photograph that, process as linear 16-bit TIFF (exactly as you did when profiling), evaluate delta-E 2000 for the CC24 with profcheck and your IT8.7 profile. This test is independent of your IT8.7/2 target, workflow, RGB colour spaces, display, printing, personal biases, etc. Delta-E 2000 is an objective, quantitative measure of colour difference and reasonably consistent with human perception. Beware that you will have to match exposures, i.e. match the linear RGB (.ti3 output from scanin) for a neutral middle-grey patch (L* = 50) in both the profiling and test photos. Otherwise, you could have large delta Es simply because of L* differences. The illuminant might be different between the two shots, but we usually expect (assume) camera profiles can be used with similar light sources (e.g. a D50 profile should provide "satisfactory" results for D65). ST. ________________________________ From: "alberto.ferrante@xxxxxxxxxx" <alberto.ferrante@xxxxxxxxxx> To: "argyllcms@xxxxxxxxxxxxx" <argyllcms@xxxxxxxxxxxxx> Sent: Monday, 30 July 2012 7:21 PM Subject: [argyllcms] Re: help with camera profile As usual, I forgot the subject in my previous post... I apologize for double posting. I checked for clipping and, no, those patches are not clipping while generating the profile (i.e., during the conversion from raw of the target for processing): the L15 patch is at about 210, 210, and 15 for R, G, and B channels, respectively. They may clip, along with other patches, once the final profile and curves are applied, but this is a different story. I re-shoot the target with the 7D in the same conditions of the 5DIII shoot (flash light) and the situation improved. I now have only one patch (the usual L15) with an error of 22. If I remove it, I get the peak error below 15 (14. something). Regardless the lightning conditions, though, the L15 (and K15) patches are the ones exhibiting with higher errors. Though, when generating LUT-based profiles, errors are much lower (around 2-3 as a peak). I tried changing the output colorspace to Prophoto, but this only slightly improves the situation (the peak error goes to 20 instead of 22). Regards, Alberto Iliah Borg wrote: >> If I try to do the same with the 7D profile, the error gets higher (27 >> as peak) and even after removing 3 patches it stays to 17. The "bad" >> patches are always orange/yellow. >> >it might depend on the output colour space and how they get their. I mean, have >you checked for clipping? Invita i tuoi amici e Tiscali ti premia! Il consiglio di un amico vale più di uno spot in TV. Per ogni nuovo abbonato 30 € di premio per te e per lui! Un amico al mese e parli e navighi sempre gratis: http://freelosophy.tiscali.it/