Hi Jim: As photographer I sincerely did not notice the blue excess and this excess became a controversial issue here and there are very qualified opinions preferring my originals, anyway I appreciate Slobodan corrections and your opinion, Slobodan explained some practical point of views that I'm considering for my photographs in general.- All the best Carlos --- Jim Brick <jim@xxxxxxxxx> escribió: > At 07:33 PM 12/5/2006 -0300, Carlos Manuel Freaza > wrote: > > >but the things were blue that afternoon really.- > > > >Carlos > > > Carlos, > > As a photographer, you have to realize that the > people looking at > your photographs were not/are not at the place and > time that the > photograph was made. People are simply looking at > your photographic > result. You cannot, therefore, always exhibit > photographs in the same > 'light' that they were taken. While in a situation, > such as deep > shade, one's brain does a marvelous job of > correcting colors and > densities so that things look reasonably normal. > Take a photograph > under these circumstances, using color film, will > result in > photographs with a bluish cast. When you look at the > resulting > photographs, your brain may see it as you took it. > Show it to some > who was not there, thus having no frame of > reference, that person > will say "the photographs are way too blue." > > Take photographs of sunrises, sunsets, night street > scenes, > interiors, people have -in their mind- what color > these photographs > should be and therefore everything is pretty much > OK. > > Your originals are way too blue Carlos. Correction > is absolutely > necessary before showing your Ford motor photographs > to people other > than yourself. Slobodan is correct. > > Eighty percent of my photography is color > transparency. And nearly > 100% of that I print on Cibachrome. Living on the > coast of > California, much of my photography is along the > ocean (many times > overcast or foggy) and in the deep redwood forest. > Often very cool in > color temperature. Rather than correcting in my > enlarger, I correct > on the film by using filters ranging from KR1.5 to > KR6. I also teach > photography (one-on-one private students and > workshops) therefore the > transparencies that I project must be corrected. > > I started serious photography in 1950. My first > 'real' camera was a > Rolleicord III (I now know that thanks to you > Carlos.) Ektachrome was > the E3 process then and I processed all of my > Ektachrome in our home > kitchen sink. Talk about blue... living along the CA > coast and > photographing with Ektachrome. I learned early how > to warm-up my > in-camera originals with filters. I tried all of the > Wratten warming > filters and found that I like the KR... series much > better. > > IMHO, > > :-) > > Jim > > --- > Rollei List > > - Post to rollei_list@xxxxxxxxxxxxx > > - Subscribe at rollei_list-request@xxxxxxxxxxxxx > with 'subscribe' > in the subject field OR by logging into > www.freelists.org > > - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx > with > 'unsubscribe' in the subject field OR by logging > into www.freelists.org > > - Online, searchable archives are available at > //www.freelists.org/archives/rollei_list > > __________________________________________________ Correo Yahoo! Espacio para todos tus mensajes, antivirus y antispam ¡gratis! ¡Abrí tu cuenta ya! - http://correo.yahoo.com.ar --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with 'unsubscribe' in the subject field OR by logging into www.freelists.org - Online, searchable archives are available at //www.freelists.org/archives/rollei_list