[rollei_list] Re: Digital Advice
- From: Michael Eric Berube <pj@xxxxxxxxxxxxxx>
- To: rollei_list@xxxxxxxxxxxxx
- Date: Fri, 30 May 2008 20:55:50 -0400
Austin Franklin wrote:
...though I fully appreciate and agree that *some* people believe
their digital output has higher "quality" than they got with film, I believe
a lot of it is misperception of actual image fidelity....
The bottom line is, it really depends on what the criteria for "quality" is.
That, for some reason, seems to almost never be stated.
I may agree if we were talking about Velvia or Reala but when I last
shot film, I was shooting with an FM2n or an F100 loaded with NPS/NPC,
Reala, NPH, NPZ or Portra800 depending on the light I was working in. In
a dark church where flash was not allowed and I was stuck on a back
balcony overlooking the entire wedding a whole congregation away from
the couple, by an over zealous Episcopal Priest eager to assert his
'Authoritae', I was pretty much forced to 'restage' the ceremony shots
because even when I tried to use NPZ/P800 at 1600ISO (or at 800ISO),
shall we say that the results were /quite less than spectacular/ and
that was concerning colour, clarity and contrast every bit as much as
perceived 'sharpness.' I DETEST faking wedding shots. It is always
cheesy and a waste of everyones time.
Today, in like situations, I can shoot the /actual/ ceremony with my
D200 at 1600ISO and my results are far superior than what I could get
with the above films. Yes, there is some chroma and luminance noise
there, but it is not that difficult to deal with in ACR and it is far
less objectionable than the soft grey blacks and nasty colours that
pushed NPZ or Portra800 offered me. With proper exposure and WB my
colours are very nice. When using a D300 (like that I've borrowed and
will soon buy) or even using the cheap little 10MP D60 I just got, I get
even better results in low light at 3200ISO than I can with the D200 at
1600ISO.
I'm not comparing the results of my cameras to the results of my Rollei,
but with my former 35mm Nikons. Comparison to a Rollei is moot because
I'd never again shoot a wedding (or news) with a TLR (or Hel, even a
Hassy) regardless of what film I could put in it. As I mentioned these
are the results I get compared to what I could get with film. Your
shooting situations will certainly vary depending on your needs.
Carpe lumen,
Michael
---
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- [rollei_list] Re: Digital Advice
- From: Don Williams
- References:
- [rollei_list] Re: Digital Advice
- From: Austin Franklin
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...though I fully appreciate and agree that *some* people believe their digital output has higher "quality" than they got with film, I believe a lot of it is misperception of actual image fidelity.... The bottom line is, it really depends on what the criteria for "quality" is. That, for some reason, seems to almost never be stated.
- [rollei_list] Re: Digital Advice
- From: Don Williams
- [rollei_list] Re: Digital Advice
- From: Austin Franklin