Re: [MoAccess] One more question about the editors
- From: "Bryan Smart" <bryansmart@xxxxxxxxxxxxxx>
- To: <MoAccess@xxxxxxxxxxxxx>
- Date: Tue, 11 Sep 2007 12:51:09 -0400
The editors do support copying individual pieces of a voice. For example, you
can copy element 1 to element 2, copy an element in one voice to an element in
another, or copy just the effects from one voice to another. There are other
options, but these are just examples.
Though the XS supports using up to 8 elements in a voice, most voices don't use
all 8 elements. Some voices, like the piano, use all 8 elements, but only
trigger 1 or 2 of them at a time. In the piano, the different elements only
trigger under certain conditions, such as how hard you play the keyboard (some
play softer sample, while others player louder ones), or special effects like
the element that plays when you let go of a key (to make the key release
sound). In most voices, though, only 4 or 5 elements are used. There are also
versions of voices that only use 1 or 2 elements.
A lot of people, when they're scrolling through voices, and hear the ones that
don't seem to have many velocity layers, the ones that use only 1 or 2
elements, wonder why in the world Yamaha would waste their time including such
basic voices on the XS when the voices could use up to 8 elements. The reason
for that is to help you when you're building more complex voices. For example,
there are the mega voice guitars that use all 8 elements. They sound just about
as complex as a guitar could on the XS. However, there are guitar voices that
only use 2 or 3 elements, and just have a few velocity layers. That means that
you can start with that voice as the basis of a sound that you're designing
yourself. Using the 3 element guitar voice as an example, you still have 5
elements free. You could find one of the smaller 4 element rhodes voices,
import that on to elements 4 through 7, and then find a basic 1 element synth
pad, and import that on to element 8. Now, you have a single voice that plays a
guitar, rhodes, and a synth pad. You can use the sliders in voice mode to
balance the levels of the 8 individual elements, and then, when you get it
sounding right, you can save your work as a user voice. What is so cool is
that, on the classic or ES, you would have needed to be in performance mode to
play a huge layer like that. If you wanted to use a layer that you designed in
Performance mode, you'd need to use a special copy job to copy the performance
into the song or pattern, and, even then, you'd need to give up 4 tracks in the
song or pattern. Since you can do all of that in voice mode on the XS, this
means that you can load that big layer voice up in the sequencer, and it will
play just like you saved it. Further, you only need 1 track.
This is another case where some features that were useful on the ESS get really
useful on the XS. Most of you know that a voice has two effects processors
available. Usually, people will stack them so that the a processor feads the b
processor in what is called serial mode. You can make them run in a parallel
mode, though, so that they run independently of each other. In the example
layer that I was just discussing, you could make the a processor be reverb, and
the b processor be an autopanner. Then, you can set the voice so that the
elements playing the piano and the pad go through the a processor with reverb,
and the elements playing the rhodes go through the b processor with its
autopanner. So, you have one voice, with three sounds, and two effects running.
You can also make splits in voice mode. You can find a 6 element piano, copy a
2 element bass program into the voice, and then set the key ranges for the
elements so that you have bass in the left hand and piano in the right. Now,
when you call this voice up in the sequencer, you can play your split on a
single track.
On the XS, voice mode can do most of the things that used to be handled in
performance mode. Performance mode is now more about having real time control
over playing grooves than it is about making splits and layers.
Bryan
________________________________
From: moaccess-bounce@xxxxxxxxxxxxx [mailto:moaccess-bounce@xxxxxxxxxxxxx] On
Behalf Of Damon Fibraio
Sent: Tuesday, September 11, 2007 10:46 AM
To: MoAccess@xxxxxxxxxxxxx
Subject: Re: [MoAccess] One more question about the editors
IN theory this can be done. If the editors support copying elements from
voices, which most do. Heck, you can even just start with a totally blank sound
and build it from the ground up.
--
Damon Fibraio
screen names -- aol: dfibraio...msn dfibraio@xxxxxxxxxxxx skype: dfibraio
web sites: personal music site: http://www.keyboardguy.com. band:
http://www.queenoftheryche.com. Internet Radio station: http://www.nhbradio.com
Internet radio show every Wednesday night from 8 to 11 pm eastern
From: moaccess-bounce@xxxxxxxxxxxxx [mailto:moaccess-bounce@xxxxxxxxxxxxx] On
Behalf Of Robert Lütteke
Sent: Tuesday, September 11, 2007 8:57 AM
To: Motif Access
Subject: [MoAccess] One more question about the editors
hi.
This question can be answered of an es-editur-user.
Sorry, but I didn't worked with voice-editors before.
So I have so many questions.
With the editors, I can edit my voices etc.
buit can I also create compleetly new voices?
I mean:
Can I take elements from different sounds and combine them to a new sound?
regards Robert.
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