I teach a for-fun-only type night class which caters to people using both digital and 35mm - everything from p&s cameras so small I would lose them through to big modern SLRs (haven't seen any medium or large format yet though and not many people interested in B&W). Because gear and materials specific issues has to be all one-on-one I can't spend too much time on that stuff. The advice I give to class as a whole is non-gear-related. Pretty much echoing what others have said: 1. Photography is all about selection and the most important piece of equipment is your eyes. Selection of where you point the camera and what you include in the frame (and of course which negs you choose to print) and the selection process needs to be based on truly seeing. Truly seeing what is in front of you when making photographs and also truly seeing what is in the prints you get out the other end of the process. Especially framing at first, once that is sorted we can go on to other more subtle stuff like selective focus, motion blur, colour temperature, etc. 2. Photography is all about perspective and the most important piece of equipment is your legs. Understanding how the three dimensions of your subject gets represented by the two dimensions of the photograph and how changing your point of view can allow you significantly influence that and impart different feelings to the photograph. Especially perspective, but also framing and lighting (see 1 and 3). Related to this is the patience for waiting until the planets move into the right alignment and the skill to be able to predict when they might. 3. Photography is all about light. First use the tools mentioned in 1 and 2 above (eyes and legs). Then with a little understanding of light you can also shape and create the light you want using an assortment of useful junk (my approach) or a variety of very expensive toys (the road the camera shops want you to go down). With regard to the Canon, I am just thankful whenever someone bring along and asks me questions about a camera that has controls I can comprehend. Too often I am faced with tiny digital cameras with half a dozen buttons and menus a mile deep all displayed with enigmatic symbols that may or may not represent tiny people running off into the mountains screaming. I often have to say to people things like "There is probably a setting for controlling depth of field somewhere in the menus of your camera, it may be called aperture or depth of field, you may need to look for a mode called manual with a setting called F, but perhaps the action or landscape modes might be the answer, etc ..." Its all good fun though. Nicolas --- Dave Valvo <dvalvo@xxxxxxxxxxxxxxxx> wrote: > My top three are > 1. Look before you shoot. Is there a better angle? > 2. Look at what else is in your view frame you don't > want > 3. Are you sure you looked? Look again. > > > > Canon body with L glass? The others won't know > the difference. Most will feel sorry for you. > Can't put it in your pocket! > > Dave > ----- Original Message ----- > From: Mark Blackwell > To: pure-silver@xxxxxxxxxxxxx > Sent: Tuesday, May 01, 2007 11:19 PM > Subject: [pure-silver] photography teachers top 3 > > > For those that teach photography, Im just > interested in some new techinques. For that matter > you don't have to teach, just have an opinion. > There are several things that I believe are often > missed when the subject of photography is taught. > Rather than a David Letterman Top Ten list, how > about we just keep it to the top three. What are > your top 3 that are either missed all together, or > people you come in contact with just seem to not > understand. > > My personal pet peeve is that EVERY student > whether they want it or not needs some experience > with film, both color and black and white. Don't > get me wrong digital is a wonderful tool and I use > it just like almost everyone else here, but I have > found film to be a much better teacher. > > I have decided to do something rather unique. I > am going to a CVS photography course this Sunday. > Thats right the drugstore is teaching photography. > I am just going to keep quiet and see just what > happens. In a week or two I am curious as to the > look I might get if I walk in with a Canon body with > L glass on the front. LOL > > Also if there are other photographers out there > that would like to trade links, drop me a not off > list. Im always looking for new resources and links > to improve my site as well. > > > > ------------------------------------------------------------------------------ > Ahhh...imagining that irresistible "new car" > smell? > Check out new cars at Yahoo! Autos. Send instant messages to your online friends http://au.messenger.yahoo.com ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.