[pure-silver] Re: fixer question - wash water xchg rate

  • From: Eric Nelson <emanmb@xxxxxxxxx>
  • To: pure-silver@xxxxxxxxxxxxx
  • Date: Tue, 3 Jun 2008 18:34:11 -0700 (PDT)

I used food coloring to test my Kostiner "archival"
washer years back and was disturbed when I saw how
long it took to run clear, so to expedite that, I dump
about 25% off the top by tilting the unit once or
twice during a 1 hour wash.  Also a pre-wash after
hypo clearing lessens the carry over.  I find them
very inefficient.

The only advantage to this style washer it seems is I
can leave it alone as opposed to a siphon which I need
to monitor to make sure the prints are shuffled.  

So w/the Kostiner, it's 1 hour or more washing
(inefficient) but I can walk away, have dinner and
come back to deal with the prints later, or 20 minutes
of fairly regular monitoring w/a siphon. 

My prints have always tested negative for any residual
fix using the "archival" washer.

Eric

--- Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote:

>      Kodak's recommendation is that the water in the
> washing 
> vessel change completely in five minutes. This is a
> bit 
> misleading since a running water tank or tray
> changes 
> exponentially. What is important is the rate of
> change at 
> the surfaces of the paper. The emulsion washes out
> by 
> diffusion, an exponential process. The rate at which
> the 
> hypo leaves depends on the difference in
> concentration of 
> hypo in the emulsion versus the concentration in the
> wash 
> water at its surface. The greater the difference the
> faster 
> the hypo diffuses into the water. Obviously, even
> when there 
> is no hypo in the water, the rate will become slower
> as the 
> washing progresses. If a print or film is washed in
> standing 
> water the hypo will form a cloud at the surface and 
> eventually reach approximate equilibrium where the
> process 
> becomes very slow. The diffusion continues into the
> body of 
> the water in the vessel so that the processes is
> continuous 
> until it reaches true equalibrium but without
> agitation it 
> will essentially stop at some point. The idea that
> hypo is 
> heavier than water and will sink is a
> misunderstanding of 
> the process. There may be some slight convexion at
> the 
> surface but nothing more.
>     The best washing is in a low volume vessel with 
> continuous change of water at the surface, for
> instance, the 
> spray washing found in many motion picture
> processing 
> machines. Large volume tanks with relatively low
> flow rates, 
> such as many "archival" washers, are less effective
> than a 
> tray with a Kodak tray syphon in it, provided that a
> single 
> print is washed so that both surfaces are exposed to
> the 
> water. This is quite practica for RC paper, which
> also has a 
> short wash time but may be a problem for fiber and
> for large 
> quantity work. The best "archival" type washers,
> perhaps 
> "vertical" washer is a better term, are those with
> the 
> smallest volume and highest flow rate at the
> surfaces of the 
> prints.
>      One way of testing the flow rate of a tank or
> tray is 
> to get it going and then put some vegetable dye in
> it. I've 
> used the juice from canned beets. See how long it
> takes 
> before the color fades to the point where it is
> visibly gone 
> (again this is exponential). It should not be more
> than five 
> minutes. I have a Zone VI 16x20 washer which has too
> low a 
> flow rate. I use it by putting it in a bathtub and
> allowing 
> it to overflow the top. I also make a practice of
> pulling 
> the plug and draining it about halfway through the
> wash and 
> starting over with a fresh filling. I also use a
> 16x20 tray 
> (actually about 18x24) with a Kodak tray syphon.
> This will 
> discharge the dye in about two minutes at a
> reasonable flow 
> rate.
>      One can also achieve good washing using the
> successive 
> bath method. This is necessary were running water is
> not 
> available or where fresh water is at a premium. Both
> Kodak 
> and Ilford have instructions for this method. They
> are 
> slightly different: Kodak recommends several
> successive 
> baths of the same length while Ilford recommends
> baths which 
> begin by being short and are successivly longer.
> This is to 
> take advantage of the exponential rate of washing.
> Both are 
> effective but the Ilford method probably uses less
> water.
>      Since the support of fiber paper does not wash
> out by a 
> strictly diffusion process it needs more time. The
> emulsion 
> of fiber will wash out nearly as quickly as RC paper
> but the 
> substrate (Baryta layer) and support take longer
> even when a 
> wash aid is used.
>      Paper and film can be tested for residual hypo
> by using 
> the silver nitrate test recommended by Kodak. This
> consists 
> of a solution of silver nitrate in acetic acid as a 
> preservative. Its used in the same way as the
> residual 
> silver test mentioned in an earlier post. A couple
> of drops 
> are placed on the wet, but blotted off, emulsion
> surface and 
> allowed to stand for about two minutes. There should
> be no 
> more than a very slight yellow stain. The stain will
> darken 
> with time so the examination should be made
> immediately. 
> There is a method of fixing the stain so that a
> densitometer 
> can be used to determine the quantity of hypo
> remaining.
>      A true answer this question would require
> knowledge of 
> the diffusion rate of the emulsion involved and also
> the 
> rate of washing of the support of fiber paper. There
> are 
> some actual rates mentioned in the literature but
> they are 
> important only for very critical work. The Kodak 
> recommendations will result in fixing and washing
> sufficient 
> for good permanence.
>      I try to avoid using the term "archival"
> because it is 
> really very vague. True archival use implys that the
> prints 
> or films will be stored in highly controlled
> conditions, 
> certainly not displayed. We are mostly concerned
> with making 
> our images in a way that is not overly sensitive to 
> atmospheric polutants or has residual compounds
> contained in 
> it which attack the image. This is not too
> difficult, one 
> needs only to follow good conventional practice.
>      The use of a sulfite wash aid will reduce both
> paper 
> and film wash times by a factor of about six times.
> 
> ---
> Richard Knoppow
> Los Angeles, CA, USA
> dickburk@xxxxxxxxxxxxx
> 
> 
> 
> 
> 
>
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