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Subject: [pure-silver] Re: "archival pigment print"
From: Eric Nelson <emanmb@xxxxxxxxx>
Date: Sat, February 20, 2010 8:15 am
To: pure-silver@xxxxxxxxxxxxx
Hehe! Squirts!Therein lies the rub: making them look good. One can dodge and burn and control specific areas of an image onscreen in ways not possible in the darkroom, but there's a lot more to making a squirt print than just hitting the 'Print' button.
From: Shannon Stoney <shannonstoney@xxxxxxxxxxxxxxx>
To: pure-silver@xxxxxxxxxxxxx
Sent: Sat, February 20, 2010 8:21:45 AM
Subject: [pure-silver] Re: "archival pigment print"
I agree that it's good to know: I just think it's silly to call ink jet prints "archival pigment prints." It sort of mystifies the whole thing by using arcane, obfuscating language. Everybody knows what an ink jet printer is, but it seems as if the people selling these prints don't want people to know that they made them with an ink jet printer. Why? Is it because most people have an ink jet printer and might think, "Oh, I could make one of those"?
I don't have a problem with people MAKING ink jet prints; I have a problem with them not CALLING them ink jet prints. Calling them giclee or some other french name (there was one I've forgotten that meant "squirt") doesn't make them NOT an ink jet print. Maybe we should call them "squirts."
I agree that some of them are great, and I am really curious about how people get such great ink jet prints. Even when I use the newer, more expensive ink jet printer at the lab at Houston Center for Photography, I don't think they look very good.
--shannon