[pure-silver] Re: Durst L1200 (condensor) & uneven illumination

  • From: "mail1" <mail1@xxxxxxxxxxxxxxxxx>
  • To: <pure-silver@xxxxxxxxxxxxx>
  • Date: Mon, 23 Jul 2007 20:13:33 -0700

Richard Your explanation is again without equal. 
Thanks,Jonathan

-----Original Message-----
From: pure-silver-bounce@xxxxxxxxxxxxx
[mailto:pure-silver-bounce@xxxxxxxxxxxxx] On Behalf Of Richard Knoppow
Sent: Monday, July 23, 2007 12:03 PM
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: Durst L1200 (condensor) & uneven illumination


----- Original Message ----- 
From: "Martin Jangowski" <martin@xxxxxxxxxxxx>
To: <pure-silver@xxxxxxxxxxxxx>
Sent: Monday, July 23, 2007 4:24 AM
Subject: [pure-silver] Re: Durst L1200 (condensor) & uneven 
illumination


On Mon, 23 Jul 2007, C.Breukel@xxxxxxx wrote:

> Martin,
>
> That's great, I have read about lens fall off, but I never 
> realised it
> was that substantial! Thanks for pointing it out!
>
> FYI I used a 80mm Schneider-Kreuznach Componon-S, at 
> f11-f16 (not my
> working aperture, usualy between f5.6-f11, but I had to 
> reduce my
> lightoutput else the Zonemaster could not measure). A 
> quick search on
> the internet did not bring such graphs as the one in your 
> link, but I
> assume it will be compairable with the Rodagon?


You didn't search very thorough ;-)

http://www.schneideroptics.com/pdfs/photo/datasheets/componon-s/componon-s_4
0_80_1.pdf

Grüße aus Hohenlohe,

  Martin Jangowski

    The Schneider and Rodenstock lenses are very similar.
    The rule for light fall off of lenses having 
distortionless projection and a normal pupil is fall off = 
cos^theta where theta is the half-angle, i.e., angular 
distance of the point of interest from the optical center. A 
distortionless lens is one without barrel or pincushion 
distortion. For example, fisheye lenses, which have very 
large barrel distortion, hvae less fall off than a 
distortionless lens.  By normal pupil I mean one that has no 
coma as in a Roosinov lens. The Roosinov lens has what is 
called a tilting entrance pupil and has something like cos^3 
theta fall off, one reason thay are used for wide angle 
lenses. There are Roosinov wide angle enlarging lenses. Some 
lenses have even more fall off than is predicted by the 
cos^4 theta rule, for instance the well known Goerz Hypergon 
or the more modern B&L Metrogon. This fall off is 
unavoidable unless a tilting entrance pupil is employed.
    There is additional fall off in most lenses at full 
aperture because of vignetting of the pupil by the edge of 
the lens mounting. This fall off is reduced by stopping down 
but the amount of stopping down varies with the field angle. 
For a "normal" focal length lens at infinity focus the 
largest stop without vignetting is about 2 stops down from 
maximum aperture. Since the angle becomes smaller as the 
magnification is increased somewhat larger stops may be used 
when enlarging. However, the _effective_ stop may be about 
the same because of the bellows correction.
   There is another source of fall off in enlarging, namely 
the uniformity of the light source. A perfectly diffuse 
source would produce about the theorectical fall off of the 
lens. A true point source, where a point is focused on the 
entrance pupil of the lens may not follow this rule, in any 
case, the iris of the lens becomes useless in this 
application. Normal condenser sources are partially 
diffusing. The usual arrangement is to have a large lamp 
with a diffused surface focused approximately on the 
entrance pupil. The diffusion may also come from a diffusing 
surface somewhere between the lamp and the condensers. This 
system is much less critical of exact focus of the source on 
the entrance pupil although uniformity and brightness are 
still better when focus is exact. This arrangement also 
allows the iris of the lens to control the light 
transmission although the variation with stops may not be 
exact: it depends on the amount of diffusion in the system.
    In condenser illumination any deviation of the 
condensers from the optical axis or any tilting of the 
condensers will produce an asymmetrical uneveness of 
illumination. If the focus is not fairly close there will be 
an exagerated amount of fall off. Condenser enlargers 
require very good alignment.
    It is possible in a diffusion system to correct for 
light fall off of the projection lens by introducing a 
tapered light attenuator in the light path. This can be a 
diffusion plate that is sandblasted in the center, the 
amount of diffusion tapering off to the edges. A number of 
older large-format enlargers used such a system. The problem 
is that the correction is right only for a given focal 
length of enlarging lens and only when its centered.
   Since fall off is proportional to image angle one can 
improve matters by using a longer focal length enlarging 
lens. The drawback is, of course, the need for greater 
distance between the head and paper for a given amount of 
enlargement. Nonetheless, a lens of perhaps 1.5 times normal 
will give much improved uniformity. It is common to use 
somewhat short lenses for LF work. For instance a 135mm lens 
is commonly used for 4x5 to reduce the required hight of the 
enlarger column. However, unless the lens has a tilting 
entrance pupil or is equipped with a center filter the 
prints must be burned at the corners (assuming the negative 
is not being seriously cropped) in order to get fairly 
uniform density. The "normal" lens for 4x5 is 152mm and even 
better illumination is gotten by using a lens of around 
180mm.
    Usually, the lens fall off can be corrected by burning 
in using a circular mask. This is a bother but allows the 
use of shorter lenses where space is at a premium.
    One could probably make a center filter for the 
condenser system or for a diffusion enlarger by making 
printing onto film and using the negative. The required 
minimum density and correct contrast would have to be 
determined experimentally.
    Note that the eye is much more tollerant of corners 
being darker than it is of corners being lighter.

---
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx 

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