[pure-silver] Re: Suggestions needed from the real experts here
- From: "Richard Knoppow" <dickburk@xxxxxxxxxxxxx>
- To: <pure-silver@xxxxxxxxxxxxx>
- Date: Thu, 22 Jun 2006 14:17:20 -0700
----- Original Message -----
From: "Mark Blackwell" <markb1958@xxxxxxxxxxx>
To: <pure-silver@xxxxxxxxxxxxx>
Sent: Thursday, June 22, 2006 8:34 AM
Subject: [pure-silver] Re: Suggestions needed from the real
experts here
Yes I sure it is, but that for this batch isn't really an
option. I called Kodak this morning. For those
interested for Tri X its 10% and for T Max its 5%. Took
about 2 mins off and we will see on the contrast. I knew
that there was a general rule of thumb, but couldn't
remember what it was.
When I print them we will see but the negs at least look
workable.
Is this developing time? If so, its way off. The change
in time for a given change in contrast varies with the film
and is less for T-Max than conventional grain films but, on
average, its around 25% to 33% reduction for a one paper
grade difference in contrast. This is equivalent to about
3/4 stop speed to maintain equal densities. To push or pull
film the difference is a little greater. Again, it varies
with the film but for conventional films, and most, but not
all, developers its about 1.4X the time for pushing or about
0.7x for pulling. A 5 or 10 per cent change in time will
have very little effect on either contrast or equivalent
speed.
OTOH, Tri-X has probably more than ten stops of
overexposure latitude so 2 stops with normal contrast
development will still give you perfectly good tone
rendition in the print. It will just take longer to expose
the prints.
---
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx
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When I print them we will see but the negs at least look workable.
- [pure-silver] Re: Suggestions needed from the real experts here
- From: Mark Blackwell
- [pure-silver] Re: Suggestions needed from the real experts here
- From: Koch, Gerald
- [pure-silver] Re: Suggestions needed from the real experts here
- From: Mark Blackwell