[lit-ideas] Re: News via the web
- From: JulieReneB@xxxxxxx
- To: lit-ideas@xxxxxxxxxxxxx
- Date: Thu, 1 Apr 2004 17:42:56 EST
http://www.latimes.com/news/nationworld/iraq/la-fg-warfilm1apr01.story
Media Are Torn Over the Images
Gruesome footage from Fallouja forces decisions on taste and the public's
right to know.
By James Gerstenzang and Elizabeth Jensen, Times Staff Writers
WASHINGTON â?? Every war or disaster contains moments that become defining
images: a napalmed girl or a gun to the head in Vietnam, the body of a U.S.
soldier dragged through a Somalian street.
It is not clear whether the 80 seconds of video Wednesday showing images of
charred American bodies being beaten and dangled from the steelwork of a bridge
over the Euphrates River will come to define the war in Iraq.
But once again, broadcasters and news executives were torn between a question
of taste and the demand to give viewers and readers information that could
affect the course of history.
"War is a horrible thing. It is about killing," ABC News "Nightline"
Executive Producer Leroy Sievers said in an unusual message to the program's
e-mail
subscribers discussing the issues posed by Wednesday's killings. "If we try to
avoid showing pictures of bodies, if we make it too clean, then maybe we make
it too easy to go to war again."
On "Nightline," images were shown of the bodies hanging from the bridge, but
several other, even more graphic close-up images were omitted.
The video from Fallouja on Wednesday was so graphic, so horrific, that
several U.S. television networks held back showing it, wrestling through the
day
with just how much to use on their news programs.
Some TV and newspaper websites, including that of the Los Angeles Times,
offered video from Associated Press of the grisly killings of four American
contractors in Iraq, warning visitors that it contained "graphic, violent
images."
The events Wednesday â?? and the responses they provoked â?? were bluntly
reminiscent of the downing of a Black Hawk helicopter in Somalia in 1993,
followed
by upsetting images of a slain American soldier being dragged through the
streets of Mogadishu, the capital.
That incident eventually led to a change in U.S. policy. It was not clear
Wednesday whether the graphic video of the deaths of American civilians would
alter public opinion or the prosecution of the war in Iraq. But that
possibility
confronted policymakers and news executives across the country.
White House Press Secretary Scott McClellan said that with such attacks, "the
enemies of freedom, the enemies of the Iraqi people, are trying to shake our
will, but they cannot. We will not be intimidated."
But recognizing the effect that such images have had in the past, he urged
caution and told reporters, "I hope everybody acts responsibly in their
coverage."
The decisions could have a political impact. While showing the images could
erode support for the war, not showing them could have an opposite effect.
Tom Rosenstiel, director of the Washington-based Project for Excellence in
Journalism, said that networks' "sanitization of war may have helped the
administration prosecute the war" a year ago.
During the height of the war, few pictures of slain American soldiers were
shown and news photographers were not allowed at places where they could shoot
images of coffins being shipped home.
The pictures from Wednesday's attack, Rosenstiel said, could anger viewers or
"engender disenchantment about the war."
The administration should be acutely concerned about the impact of images of
atrocity against Americans, said Gordon Adams, a former Clinton administration
official.
"Pictures like this are megaphones," Adams said. "They are megaphones about
being an American and being in Iraq. The security situation in Iraq has not
been solved. The policy has ended up making targets of Americans, and this
brings
that home."
Mark Gearan, director of communications in the Clinton White House at the
time of the Black Hawk tragedy, recalled Wednesday how that episode forced a
change in policy.
"It was among the darkest days that the president had, because of the sense
of responsibility of having involved U.S. forces and the horror of what
happened," said Gearan, president of Hobart and William Smith Colleges in
Geneva, N.Y.
Soon after, the United States abandoned its military mission in Somalia.
During the Vietnam War, Associated Press photographs of a Viet Cong guerrilla
being executed on a Saigon street and of a naked girl burned by napalm became
two of the lasting images of that war.
But with a generation of experience, news executives Wednesday found the
decision-making no easier.
Los Angeles Times Editor John S. Carroll said that after considerable debate,
"we decided not to use one of the grotesque photographs on Page 1. Instead,
we chose to convey the nature of the event by means of headlines and a photo
that is not so distressing.
"We also decided to run one of the many photos of the bodies inside the
paper," he said. This, Carroll added, gave readers a choice about how graphic a
portrayal they would see.
Initially, several networks decided, in the words of a Fox News Channel
spokesman, that the video was "too graphic to show on television." But as the
day
wore on, some began using some of the more graphic images, even showing the
blackened, barely recognizable bodies hanging from the bridge.
"It's impossible to tell the story without using some of the footage, but we
will use it judiciously," said Jim Murphy, executive producer of "CBS Evening
News."
Murphy said some of the video was "unbelievably gruesome," and added, "I
don't see what purpose there is to showing that."
CBS was sent reeling earlier this year by a public uproar over its Superbowl
halftime broadcast, in which pop star Janet Jackson bared a breast.
On Wednesday, the network's news program electronically blurred some of the
most gruesome images from Fallouja and a reporter said in a voice-over that the
images were "so horrid, we chose not to show you" the worst of them.
ABC also blurred images of bodies in its evening news broadcast. A spokesman
said the network reviewed the video "frame by frame to decide what can be
used."
At NBC, news executives said they tried to balance the obligation to present
the news with the need to "be sensitive to our viewers."
"My feeling is we can convey the horrors of this despicable act without
showing overly graphic footage," said Steve Capus, executive producer of "NBC
Nightly News."
"We don't have to show a tight shot of a body on fire."
CNN began airing increasingly graphic footage as the day wore on and as the
story became more familiar to Americans who had had a chance to view the video
online. A spokeswoman said the network delayed airing more graphic images
earlier in the day to "give the U.S. authorities time to contact the next of
kin."
Whether news executives made the proper decisions may take years of
perspective to determine.
But the real effect of the images on Americans could be felt just months from
now.
"These are the kinds of pictures that will linger," said John Schulz, dean of
Boston University's College of Communications and a former faculty member at
the National War College.
"They'll be there in November when people go to vote."
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