Reaper is a freeware sequencer, very good from what I've heard, I haven't personally used it. But it has support for vst and such and good midi implementation. It also does audio. HTH, D!J!X! _____ From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Chelsea Dye Sent: Sunday, August 28, 2011 1:13 AM To: ddots-l@xxxxxxxxxxxxx Subject: [ddots-l] Re: Employment versus Self-Employment: Options for the Blind Audio Producer Hi Bill, I might also emphasize that I'm not a performer at all. I have no musical knowledge--I just want to make things sound their best--editing podcasts, mixing audio for clients, etc. Slightly off-topic, I've subscribed to another list for networking and information-gathering purposes, and someone is raving about an audio editor called Reaper. I've never heard of it. Have any of you? I might also add that in addition to audio editing, I also plan to be a Braille transcriptionist. I figure if I can do one or the other of those things freelance and the other full-time, that would be ideal. Now if I can just convince BVR of my plan. All the best, Chelsea _____ From: Bill <billlist1@xxxxxxxxxxx> Sent: August 27, 2011 9:35 AM To: ddots-l@xxxxxxxxxxxxx Subject: [ddots-l] Employment versus Self-Employment: Options for the Blind Audio Producer Dear All, Chelsea and I have been in contact off-list. I suggested that she post here and start a thread about options for the blind audio producer in the current marketplace. From our perspective, virtually all of the customers we have who make some or even all of their living from recording themselves or others do so as self-employed professionals. Let's talk about it. In general, blind people have to deal with the same changing dynamics of the audio production business that effect everyone else. That is, decades ago there were big studios where artists went to record. The equipment there was generally so expensive that it was far out of the reach of most of us. Studio owners could charge clients lots of money and use that income to hire engineers and pay off their investment in all that expensive recording gear. Over the past decade or so, software like SONAR and Pro Tools has put affordable digital audio production into our hands. Much of the audio we hear on the radio and TV was produced in somebody's home studio at a relatively low cost. The "big studio jobs" are gone or nearly gone. Here are some questions to get things going: If you get paid for your services to produce audio, do you work for yourself or for an employer. If you produce your own tracks and sell them, I consider that self-employment. By working for an employer, I mean, do you receive a regular paycheck or some kind of retainer to work on staff at a recording facility. If you are hired and paid hourly as a consultant, that is significant but that would still be considered self-employment. That is, your employer sends you a 1099 form at the end of the tax year. In other words, if your employer does not withhold your taxes or offer you any benefits aside from compensation for your professional services, you are still a self-employed consultant who runs your own business. Again, if you get paid to produce audio, what other kind of work do you need to do to put together a living? For example, I know that many of you play gigs at restaurants, churches, clubs, etc. Some of you teach music privately or through a school. I call this approach the "portfolio" approach to making a living as a musician/audio producer. If you are self-employed, how do you promote your business? How do you find and retain clients? What kind of high-tech and low-tech marketing tools do you use? These questions are really general questions that anyone who runs any kind of business has to contend with. But what issues come up for you because you are blind? For example, a customer once told me a very sad story of how he was recording some clients who left his studio carrying away a laptop and some other gear which he never saw again. He learned the hard way that he needed to have a trusted sighted person around during sessions with strangers. How much work have any of you done to edit video and audio simultaneously? What strategies have you employed to get that kind of job done? I hope that the questions above will stimulate a lively exchange here. Bill McCann Founder and President of Dancing Dots since 1992 www.DancingDots.com Tel: [001] 610-783-6692 From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Chelsea Sent: Wednesday, August 24, 2011 4:47 PM To: ddots-l@xxxxxxxxxxxxx Subject: [ddots-l] Reintroduction Hi list, I'm back. I left for awhile, because I couldn't follow the discussions--too technical for me! LOL I'm going to be getting my diploma next month, and I'm trying to network with blind audio producers/mixers/DJs, etc. To learn the tricks of the trade. And I have a question as well: do those of you that are producers, DJs, etc. Work in your own home studeo or do you work in someone else's? I know Nashville seems to be a hot bed for music studeos. Do any of you have experience there? Another option I've thought of is working in film/TV doing their audio things. It sounds like, from what I've observed, that i'll have to create a couple home-based businesses--one for audio and one for Braille. At the moment, I have no equipment whatsoever, just the Pac Mate I'm using to write this message. And as far as material goes, it's not my best. I know if I have JAWS and Goldwave or JAWS and Sonar/CT, a good computer system with a midi controller, etc., I'll be able to put together a much better portfolio of my abilities. The only problem is that BVR won't fund equipment if they don't think I can get a job. And I don't know if home-based businesses count because they're not constant gainful employment. Or are they? Any thoughts, suggestions? Chelsea