Noel sent a caution about voicing your Rodgers. These are good suggestions.= I'd add a couple more, mostly for analog instruments. 1) If you insist on voicing the organ, before you even think of adjusting = anything else, concentrate on just the overall level controls for the = individual voices. Getting these in the proper balance is critical and may = be all that is needed. I really can't over-emphasize the difference this = can make without having to change formants or other controls that can be = touchy to get right. 2) Check your speaker systems. Check the high frequency setting on the = speakers, and perhaps, try swapping channels. For example, on the 340 the = typical installation uses a Rodgers/Klipsch La Scala for the brass = channel, and M13's or such for the main channel (diapason, flute, string, = clarinet). For the brass, perhaps the thinking is that if the speaker = uses horns, then that must be best for the "horn" stops. This is a = fallacy. A well designed horn speaker system has a very smooth response, = and no trace of "horn" sound. In any case, I was having a problem with = uneven response, especially on the clarinet. I swapped the Brass and Main = channels, and the clarinet voicing was suddenly smooth. The brass did not = seem to suffer at all through the M13, probably because the frequency = ranges where the clarinet sounded rough were not present in the brass = voices. Best regards, Charlie --------------------------------------------------------------------------------- To unsubscribe or change mail delivery (digest, vacation) go to www.frogmusic.com/rodgers.html