As a "consumer" of church music, and as a past Elder in the Presbyterian Church, I sympathize with Clark's comments below. His experience is not unlike some of the things my church went through as well. Eventually, to build a youth component in the worship experience we established two services. It was an interesting experience initially, but did not produce the results hoped for. The church managed to retain a portion of the youth outreach participants by using other things to keep them interested and involved, and we returned to a traditional service for the whole congregation. Thankfully, we charged it off to a summer time experiment. Our particular church organ was not well suited to something that I wanted to try. If there is a way to see the organ (and sometimes piano) as the main musical support in your worship experience, we have to become more attached to it. Why then do we only give out about 15 minutes of organ music per week? How fast could you learn about something, or gain an appreciation about something, if that is all the time you put into the process each week? To promote the use of the organ, lets have some concerts and play various kinds of music for the congregation to enjoy. Bring in a guest artist. Have a duet with a congregational member that can play an instrument. Have the children's choir participate so the parents will be there. Demonstrate the versatility of the instrument by "teaching" the congregation what it is capable of. How many church organs are played as though there is only one "color" to it - like a black and white photograph - dull and boring. Exercise those other stops and combinations! Use MIDI. And for goodness sake LIGHTEN UP the play list. If you want people to love the instrument, you HAVE to play at least a few pieces of light music. My kids always said that because our organist was old (over 45) all they could do was make the organ moan and groan like themselves. One of the things I used to enjoy about listening to J. Nordwall play, was his chat with the audience either about the stops he would play and when and where they would be in the piece, and why that was being used. Or he would speak about the composer and what was going on in his life when he composed this piece. These things serve as "hooks" to engage the listener and to mentally add you into the performance. So rather than feel beat-up and un-appreciated, -you - who have such wonderful gifts to be able to play the King of Instruments, need to lead the way. So "Stand UP for your music." Help, your congregation to experience the power and soul moving depth of feelings your instrument can deliver. And finally, "I play the prelude in our church, which is hard to hear above the raucous crowd laughing and hollering as they gather." Our organist used to adjust his volume accordingly! Then we changed our bulletin so it contained words at the top, admonishing the congregation to enter the Sanctuary in reverence and stillness for those who are here to worship. Ushers would also use finger to the mouth shushing gestures for those that needed a reminder. A lay person standing at the lectern, head bowed, also has the same effect. From: HANEYRPH@xxxxxxx Date sent: Tue, 22 Apr 2003 09:56:17 EDT Subject: [rodgersorgan] Re: Organs & Praise Bands - To: rodgersorgan@xxxxxxxxxxxxx Send reply to: rodgersorgan@xxxxxxxxxxxxx Noel, you hit the nail on the head with your comments about "Sound Man". Even though our church has an antiquated PA system, more and more soloists would rather be accompanied by a recording blaring through this, complete with far-off choirs which could be compared to the Mormon Tabernacle Choir being used as back-up singers. I suppose these soloists, whom evidently cannot sing above a whisper (which requires the microphone to be earsplitting high) practice these tunes driving in their car, playing them on their CD changers. I play the prelude in our church, which is hard to hear above the raucous crowd laughing and hollering as they gather. Then I sit idle on the bench for 30 minutes as we go through 3 praise songs, announcements, etc. Sometimes play an offertory, then sit down until the end when I play the invitation hymn and postlude. It truly is a downer, as you said, and yes, my (and the pianist's) morale does suffer. Clark Haney Wells Tahoka, Tx Michael Salvo Facilities Manager Rodgers Instruments LLC 503 681-0436 ============================================================================= New low pricing on books and music for the Rodgers Organ at www.frogmusic.com ============================================================================= To unsubscribe or change mail delivery (digest, vacation) go to www.frogmusic.com/rodgersmem.html